Quotes About Capture

Translation in terms of power struggle: not a simple process for achieving equivalence but a conflict a question of 'bind or be bound', 'chain or be chained', 'capture or be taken captive

The beauty of women was the first expression of my photography.

unrivaled Master. "The secret society of brotherhood", who were the guardians of the universe were afraid as to what might this monster do if he is not tamed or captured. They used to remain tensed and think about how to get rid of this monster. No plan seemed to work on that monster. He was just

When I have a camera in my hand, I know no fear.

All photographers have to do, is find and catch the story-telling moment.

I loved 'Chicago Code;' I watched that a lot. It was great because it really captured the city - I'm from Chicago, too.

Most people catch them breaching from the surface when they're shooting out of the water. I have them breaching from underwater in a 16-time sequence, a shark leaving the water and then reentering the water.

No surfer wants to be the photographer, especially when the waves are good.

Book collectors are thrill-seekers. It is a vegetarian hunt to be sure, without much exertion or risk, but the endorphin rush of the chase and the adrenaline high of the capture are much the same with first editions as I imagine they must be in the pursuit of 10-point stags, largemouth bass, or 20-foot waves at Maverick's.

Photography was a way for me to freeze time and to capture the moments that were happy and healthy. I saw a photo as a way to go back to a memory if I ever needed to.

Nothing is really typical of my efforts... I'm simply casting about for better ways to crystallise and capture certain strong impressions (involving the elements of time, the unknown, cause and effect, fear, scenic and architectural beauty, and other seemingly ill-assorted things) which persist in clamouring for expression.

We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.

I counted how many seconds it takes to get my smartphone out of my pocket, open it up, find the camera app, wait for it to load, and then take a photo. Six to 12 seconds.

People are carrying around smartphones. They have a video capture device in their pockets twenty-four/seven.

I seem to be always returning to photography in my poetry. I guess you could say that I'm documenting the personal history and relationship I have with photography.

My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.

Sometimes, cameras can't capture a scene like your brain does. But the use of apps can help get it just a little closer to reality.

So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light.

As is known, it is in the realm of experience inaugurated by psychoanalysis that we may grasp along what imaginary lines the human organism, in the most intimate recesses of its being, manifests its capture in a symbolic dimension.

Life is a series of moments forever sliding out of your grasp.

In this fleeting life, there is nothing stronger than a visual idea or moment stopped in time forever. And nothing does this better than a black-and-white photograph.

A year ago, she'd been photographed in a green and bosky glade, facing a small silver stream that trickled down a gentle slope.

My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative.

I am the hunter. I am always the hunter. You are the prey.