Quotes About Morality

It can be argued, for instance, that war is grotesque. But in truth war is also beauty... Like a killer forest fire, like cancer under a microscope, any battle or bombing raid or artillery barrage has the aesthetic purity of absolute moral indifference- a powerful, implacable beauty- and a true war story will tell the truth about this, though the truth is ugly

In a way I wanted to stop myself. It was cruel, I knew that, but right and wrong were somewhere else.

when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can't fix your mistakes. Once people are dead, you can't make them undead.

It had nothing to do with morality. Embarrassment, that's all it was. And right then I submitted. I would go to the war—I would kill and maybe die—because I was embarrassed not to.

Knowledge, of course, is always imperfect, but it seemed to me that when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can't fix your mistakes. Once people are dead, you can't make them undead.

A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done.

You hate it, yes, but your eyes do not. Like a killer forest fire, like cancer under a microscope, any battle or bombing raid or artillery barrage has the aesthetic purity of absolute moral indifference—a powerful, implacable beauty—and a true war story will tell the truth about this, though the truth is ugly. To

A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue.

True war stories do not generalize. They do not indulge in abstraction or analysis. For example: War is hell. As a moral declaration the old truism seems perfectly true, and yet because it abstracts, because it generalizes, I can't believe it with my stomach. Nothing turns inside. It comes down to gut instinct. A true war story, if truly told, makes the stomach believe.

All of us, I suppose, like to believe that in a moral emergency we will behave like the heroes of our youth, bravely and forthrightly, without thought of personal loss or discredit.

A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it.

It was my view then, and still is, that you don't make war without knowing why. Knowledge, of course, is always imperfect, but it seemed to me that when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can't fix your mistakes. Once people are dead, you can't make them undead.

They told stories about Ted Lavender's supply of tranquilizers, how the poor guy didn't feel a thing, how incredibly tranquil he was. There's a moral here, said Mitchell Sanders. They were waiting for Lavender's chopper, smoking the dead man's dope. The moral's pretty obvious, Sanders said, and winked. Stay away from drugs. No joke, they'll ruin your day every time. Cute, said Henry Dobbins. Mind blower, get it? Talk about wiggy. Nothing left, just blood and brains. They made themselves laugh.

Garden of Evil. Over here, man, every sin's real fresh and original." (p80 Mitch Sanders in "How to Tell a True War Story")

Dobbins shrugged his shoulders. What's serious? I was a kid. This thing is, I believed in God and all that, but it wasn't the religious part that interested me. Just being nice to people, that's all. Being decent.

A moral freeze: I couldn't decide, I couldn't act, I couldn't comport myself with even a pretense of modest human dignity.

If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.

Martha shut her eyes. She crossed her arms at her chest as if suddenly cold and said she was glad he hadn't tried it. She didn't understand how men could do those things. What things? he asked, and Martha said, The things men do. Then he nodded. It began to form. Oh, he said, those things.

Is stealing stolen property less reprehensible than plain stealing?

To live you gotta be hard, I know that. But nobody wants to be a deadset cunt. That's just not fucking decent.

Seulement, en supprimant l'assassin de son fils, on ne supprimait pas le meurtre. On le prolongeait.

of us were moved by the deep morality and sincere humanity on the part of the aliens. These were people who simply could not imagine doing any evil to anyone, people who liked eating well, drinking, even smoking, who enjoyed playing the violin [in one case] and tennis, and driving luxurious cars and executive airplanes (in the 1970s, when very few people in Italy could own a personal plane).…

When you see evil as a thing apart from yourself over there, you can fly a plane into it or destroy it with a powerful bomb. You can justify murder. Evil is the gaze that sees evil as a thing apart from me.

Holmes's experience in the war taught him not that all people have a right to freedom, but rather that claims about right and wrong are really only illusions.67 Ethical principles, he believed, are subjective, emotional commitments that cannot be judged right or wrong. Ideas such as justice or moral good are only the expressions of arbitrary personal preferences and are no more rational than a person's preference for one kind of beer over