Quotes About Museum

Art was not a thing for my family and is still not a thing for my family. My family will not go to a museum unless I say we have to go there. That's why I really feel like it was something I was supposed to do because there was no directive that pushed me in that direction.

After lunch the boys set off in their convertible for the Greenville Museum. It was a small building at an intersection of two roads at the edge of town. The main entrance was on one road, with a tall hedge in front of the building. Extensive grounds stretched to the rear on the side road, along which ran a high iron picket fence. Frank parked alongside the hedge, and the young detectives strode through a gate to the spacious lawn at the back.

The 'Robben Island Bible' has arrived at the British Museum. It's a garish thing, its cover plastered with pink and gold Hindu images, designed to hide its contents. Within is the finest collection of words generated by human intelligence: the complete works of William Shakespeare.

Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.

Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.

The Thames could be thought of as England's longest archaeological site, and no fewer than 90,000 objects recovered from its foreshore are in the collection of the Museum of London, whose 30-year relationship with London mudlarks is both committed and highly regulated.

There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.

Wadsworth Atheneum.

exquisitely intimate Marmottan.

But daily life and art occupy different space-times; a museum, a concert hall, a page of text, an art gallery are more likely to be experienced as refuges from daily life than as its venue.

In the end, the Impressionists made the right choice, which is one of the reasons that their paintings hang in every major art museum in the world. But this same dilemma comes up again and again in our own lives, and often we don't choose so wisely. The inverted-U curve reminds us that there is a point at which money and resources stop making our lives better and start making them worse.

The time was when a library was very like a museum and the librarian a mouser in musty books. The time is when the library is a school and the librarian in the highest sense a teacher.

truth? The Louvre

There are freaky talking mannequins in the Salem Witch Museum that recite the Lord's Prayer and while they do resemble shrunken apples they nevertheless help the visitor understand how hard it must have been for the condemned to say the line about forgiving those who trespass against us.

I seldom go into a natural history museum without feeling as if I were attending a funeral.

I went on to the balcony, lit a cigarette, and looked at the museum, wondering whether it would still be there in a thousand years. When would it not be there anymore?

The whole of language is a continuous process of metaphor, and the history of semantics is an aspect of the history of culture; language is at the same time a living thing and a museum of fossils of life and civilisations.

Imagine standing in a room in a large museum. As you look around the dimly lit gallery, you begin to recognize shapes: a basket, an arrow, a beautifully decorated carving, a shield. Some of the objects are unrecognizable to you. What if these objects could speak? What would they tell you about themselves? How have they been used? Where did they come from? How did they get to this museum? Whom do they belong to?

We have a group of friends of the museum who try to raise, if they can, periodically something to help us. Of course, the main thing about a building like this is its upkeep. It needs central heating and it needs central air conditioning.

Eventually, most people felt MoMA had filled a very important gap.

I was brought up to understand Darwin's theory of evolution. I spent hours and hours in the Natural History Museum in London looking at the descriptions of how different kinds of animals had evolved, looking at the sequence of fossil bones looking gradually more and more and more and more like the modern fossil.

I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.

My childhood hero was David Attenborough. He opened my eyes to the wonder of the natural world. In fact, he's still my hero. I interviewed him at the Science Museum in 2015, and he is such a thoughtful, humble and inspiring person.

Il Museo delle Lacrime significava molto di più di quanto il suo nome potesse suggerire. Non si trattava solo di file di bottigliette di vetro identiche, malgrado già questo, se ci pensavi bene, diceva molto sull'uguaglianza. Si trattava di persone che tastavano di aggrapparsi alla felicità che avevano conosciuto.