Quotes About Museum

It was 1975. I had spent the year at the Boston Museum School doing some very bizarre performance works. The last one included going to the North Magnetic Pole and spending all of my money.

The architect aspires to build in a city as the artist aspires to exhibit his works in a museum.

The most basic task of any museum must be the protection of works of cultural significance entrusted to its care for the edification and pleasure of future generations.

I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.

There's a thing at the Museum of Natural History in New York, where I live: they have a stairwell where you follow the beginning and the course of this planet, and it's a very long stairwell, and you follow, and you follow, and then you reach the top, and we're, like, half a step on the stairwell - the timeline for us on this planet.

I have no favorite museum, but it could be the National Gallery in London; it could be the Palais de Tokyo in Paris. Every city has a great museum.

Visitors come on two legs, on four, on the sweeping sinuosity of scaled legless bodies. There are perches in front of every exhibit for those who come by wing, whethered feathered or mebranous, and the Museum does its best to accomodate those whose habitual method of locomotion is aquatic.

SMALL BOY: Where do animals go when they die? SMALL GIRL: All good animals go to heaven, but the bad ones go to the Natural History Museum. — Caption to a drawing by E.H. Shepard, PUNCH, 1929 SIMON

I love art and I find myself at the MoMA all the time. Museums are a real refuge for me. I go to a museum for any break that I have, and I'm very inspired by art.

The fossils were sublime, but I found as much fascination in the odd paraphernalia of culture that, for various reasons, end up in museum drawers. Late eighteenth century apothecary boxes, thread cases from the mills of Lawrence, Victorian cigar boxes of gaudy Cuban design - all the better to house fossils.

The exhibition gobsmacked me. I'm not ashamed to admit it. Here was quite a small building, not many people about, getting little attention. And inside they'd pulled together a staggering display of Regency furniture. I've seen most of the stuff that matters. I simply stood there, gaping.

I looked around me for an appropriate missile. In a glass cabinet nearby was an odd black stone, of irregular outline, small enough to lift, but large enough to brain an afrit nicely It had a lot of scribbling down one flat side, which I didn't have time to read. It was probably a set of rules for visitor to the museum, since it seemed to be written in two or three languages.

Designed in the neoclassical style by Marcel Dourgnon, the dusky-rose-colored Egyptian Museum of Antiquities, at Tahrir Square, was the first purpose-built museum edifice in the world. In 1902, the thousands of artifact treasures, spanning five thousand years of Egyptian dynastic history, were transferred there from the palace of Ismail Pasha in Giza, where they had been displayed for more than a decade. Bourne

Life did not intend to make us perfect. Whoever is perfect belongs in a museum.

Well, then I spent three days in the Field Museum, eyeing the exhibits. Can you beat it? I walk around and walk around rubbering at mummies and bones and—well, I ain't kiddin', but they was among the three most interesting days I ever put in.

Well, then I spent three days in the Field Museum, eyeing the exhibits. Can you beat it? I walk around and walk around rubbering at mummies and bones and—well, I ain't kiddin', but they was among the three most interesting days I ever put in. And I felt pretty good, too, knowin' that no copper would be thinking of Dapper Pete as being in the museums.

The two earliest surviving written versions of this global flood "myth" can be seen today at the University of Pennsylvania Museum of Archaeology

Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.

Kinkade's paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, I'd love to see a museum mount a small show of Kinkade's work. I would like the art world and the wider world to argue about him in public, out in the open.

It's no coincidence that 'Night at the Museum' completely blew the lid off my career. I finally got a handle on tone.

My mother took me to the British Museum aged five. I had thought people from the past weren't as good as we were, and then I saw the Elgin marbles. Suddenly, the world seemed more complicated.

When I was 16, my dad took me to a DNA conference at the Exploratorium science museum in San Francisco, California, and I was captivated by this way of looking at biology and by the discussions of bits of nucleic acid that could make us sick.

When I was a boy, I took over the shed at the bottom of the garden and displayed fossils and potsherds and coins in it and proudly called it my 'museum'. I charged people to come in, and my most prized possession was a Saracen shield dating from the Crusades.

I've got a house full of taxidermy. It's like a museum. I have about 200 pieces in total, all ethically sourced.