Quotes About Objects

Here the concept-work is around the sentiments and sensibilities that notions of security produce; on the subjects they endeavor to create; on the manipulations of space they condone; and on the objects of fear they nourish, reproduce, and on which they depend.

Yet, in reality, Ted loved things more than he loved people. He could find life in an abandoned bicycle or an old car, and feel a kind of compassion for these inanimate objects, more compassion than he could ever feel for another human being.

Like a white stone at the bottom of the well, One memory lies in me. I cannot and I do not want to struggle, It is both joy and suffering. I think that anyone who looks into my Eyes will all at once see him. More sad and pensive he'll become That heard the story of this suffering. I know that the gods had turned People to objects, without killing mind, That divine sadness lived eternally. You're turned into my memory, I find.

So rescue yourself from these general themes and write about what your everyday life offers you; describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty—describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects you remember.

Directional ornaments not only follow and enhance bodily movements but also dynamically represent what today we would call prosthetic possibilities by expanding the bodily periphery with inanimate objects.

Are there weapons in a bookstore?" "It's a store full of books, which are objects that can be thrown as well as read," Monty replied blandly. The Crow cocked his head. "I had no idea you humans lived with so much danger.

Are there weapons in a bookstore?" "It's a store full of books, which are objects that can be thrown as well as read," Monty replied blandly.

It's a store full of books, which are objects that can be thrown as well as read," Monty replied blandly. The Crow cocked his head. "I had no idea you humans lived with so much danger." Monty

Are there weapons in a bookstore?' 'It's a store full of books, which are objects that can be thrown as well as read,' Monty replied blandly. The Crows cocked his head. 'I had no idea you humans lived with so much danger.

On the Rules of Perspective A bad trick. Mistake. Dishonesty. These are the views of Braque. Why? Braque rejected perspective. Why? Someone who spends his life drawing profiles will end up believing that man has one eye, Braque felt. Braque wanted to take full possession of objects. He said as much in published interviews. Watching the small shiny planes of the landscape recede out of his grasp filled Braque with loss so he smashed them. Nature morte, said Braque.

This is what remains. Magical objects with the magic gone out of them. A few cassettes and no tape machine on which they can be played.

Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle.

The (serious) game played here makes a move that is the other way around: like (humans) subjects, (natural) objects are framed as parts of events that occur and plays that are staged. If an objects is real this is because it is part of a practice. It is a reality enacted.

These are matters of external history. They are indeed prominent objects, often changing and giving a new direction to the current; but they tell us not why it flows onward and will ever flow.

The assertion of failure coming from such persons does not mean that Mr. Mill failed to promote the practical success of those objects the advocacy of which forms the chief feature of his political writings.

If laws are just properties of objects, how can those laws continue to operate when the object is not really there?

Conversation should be like juggling; up go the balls and plates, up and over, in and out, good solid objects that glitter in the footlights and fall with a bang if you miss them.

I am for fetishisation! All of us have our favourite things, and they speak to us.

It is, alas, chiefly the evil emotions that are able to leave their photographs on surrounding scenes and objects and whoever heard of a place haunted by a noble deed, or of beautiful and lovely ghosts revisiting the glimpses of the moon?

Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?

For people who are displaced, you can reconstruct the story of your life from the objects you have access to, but if you don't have the objects then there are holes in your life. This is why people in Bosnia - if anyone was running back into a burning house, it was to salvage photos.

I am a fashion designer. I'm not an environmentalist. When I get up in the morning, number one I'm a mother and a wife, and number two I design clothes. So the main thing I need to do is create, hopefully, exquisitely beautiful, desirable objects for my customer.

Sensitiveness is closely allied to egotism; and excessive sensibility is only another name for morbid self-consciousness. The cure for tender sensibilities is to make more of our objects and less of our selves.

It has the funny kind of incomplete, semiabstract reality that scripts or scores have—they are programs, as it were, for real things in the world (the produced play, the performed music) that require adding a context, and decisions about that context affect the whole of the abstract object.