Quotes About Sonic

The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.

But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want your listener to hear.

I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.

The album feels like a new era for me -- emotionally, lyrically, sonically. It feels fresh, it feels new. It's still me. It's still stuff that fans know and love but it's a new chapter 100 percent.

It's about the stories. If I write 14 stories that I love, then the next step is to get the environment of music around it to best envelop the story and all kinds of sonic goodness.

The fourth album encapsulated some remarkable music that was really groundbreaking. We were able to have something like 'When the Levee Breaks,' which, sonically, was very menacing. But then you had the flip side: something like 'Going to California,' which is really intimate.

Music can provide a much-needed break from life's harsh moments, but Eddy Current Suppression Ring has no interest in creating a sonic fire escape for the distraught. Instead, the band embraces the real world, wrapping its arms around the beautiful and the ugly alike.

I try to make it a sonic experience so that when you put your earbuds in or when you're in your room, it sounds like an enveloping feeling. I think that is the most important thing, that wherever you are, it is wrapping you up and making you feel safe and comfortable.

I'm not technical. When I listen to music, I gravitate more toward the sonic aspect of it. The technical stuff of it, I get bored with it. These long solos? OK, already. You know your scales, big deal. I know it, too, but I don't want to do that.

As I got older, I fell in love with Radiohead, and 'OK Computer' is one of my favorite albums of theirs. Sonically, the tone of the guitars on tracks like 'Electioneering' just rips right through me.

I wrote my sonic meditations and started using them with students. I took a bunch of UCSD students out to Joshua Tree and we did the sonic meditations on the boulders.

I love eating at Sonic with my family in Oklahoma. And no, I'm not kidding.

When I was super young, I had an Atari and used to play 'Space Invaders.' Then I fell in love with 'Mario Bros.,' 'Sonic the Hedgehog' and 'Yoshi' on Super Nintendo. I was quite a bit of a gamer as a kid when I think about it.

Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.

When I went to college, I discovered the Sega console, and 'Sonic the Hedgehog' became very dear to me.

My idea is to take the improvisational excitement that takes place with Carnatic music and juxtapose that in different sonic contexts.

I completely understand the responsibility I have in continuing the sonic style that I have created.

My first album, 'Get Lifted,' was a hip-hop soul album that had some of its roots in the church, as far as the sonic choices, in the way that I sing and write songs. I have always had that as part of my background and part of my influence when I am making music.

Composing gives me a chance to work in multiple dimensions and helps me pare down my melodies into what is essential. Learning new skills has always energized me and scoring has opened up a world of sonic possibilities.

I like Sonic and all those types of games, and Sega Genesis.

One of the key guitars in my career has been an early-Seventies Fender Telecaster Deluxe that I had before Sonic Youth started and that I played pretty much throughout Sonic Youth.

My favorite over the years is probably 'All I Have to Give.' That's probably my favorite. It's one of the first songs that the five of us were featured on the lead, and I just think it has such a great sonic sound with all the melodies and harmonies. It has a little bit of a mixture of R&B and a pop sound. It's just a really good feel-good song.

What I wanted to do in rock 'n roll was merge poetry with sonic scapes, and the two people who had contributed so much to that were Jimi Hendrix and Jim Morrison.

R. Murray Shcafer is a Canadian composer with a twist. Aside from writing incredibly ethereal music, he is also an acousitc ecologist, fighting for the sonic space on this planet to be beautiful - a rare and shamefully underrated cause.