Quotes About Dostoyevsky

Edsall insisted, "Tolstoy is the writer I most enjoy." "No, no, Dostoyevsky is superior," Oppenheimer said. "He gets to the soul and torment of man.

Dostoyevsky was the sum of all these contradictions which either paralyze a man or lead him to the heights.

Dostoyevsky described hell as perhaps nothing more than a room with a chair in it. This room has several chairs. A young man sits in one.

We are not immune to the lure of wonder and mystery and awe: we have music and art and literature, and find that the serious ethical dilemmas are better handled by Shakespeare and Tolstoy and Schiller and Dostoyevsky and George Eliot than in the mythical morality tales of the holy books.

Perhaps you've read Tolstoy's Hadji Mourat? Perhaps you've read The Cossacks? Perhaps you've read the story "A Prisoner in the Caucasus"? They were written by a Russian count. While Dostoyevsky was a Lithuanian. As long as the Tartars remain in existence, they will pray to Allah on behalf of Tolstoy.

I jabbered too much in class about all the Russian writers whom I admired for being, among other things, uncouth and somewhat humorously melodramatic, such as Gogol and Dostoyevsky, just as it was in my own household when I was growing up.

Maybe you can make art out of unredeemed pain, but only if you're a genius -- Dostoyevsky perhaps.

When I was young, about 18 or 19, I read all the Dostoyevsky novels, which made me want to go to St. Petersburg. So I went, and I was so inspired.

Also during their honeymoon, Jane shared with him a gift from her favorite professor at Swarthmore, Henry Goddard, chair of the English Department. For every student, Goddard wrote a phrase from literature on a slip of paper, put it inside a walnut shell, and presented it at the end of the semester. For Jane, he had selected a sentence from Dostoyevsky: "One sacred memory from childhood is perhaps the best education." Kurt referred to it for years as inspiration and solace.

Oh, I am very old fashioned about my literature taste. I like Henry James. I like George Elliot. I like Dostoyevsky. I like the old people. I really do. I like people who write big, fat, juicy novels you can get completely lost in!

Despite Langdon's six-foot frame and athletic build, Anderson saw none of the cold, hardened edge he expected from a man famous for surviving an explosion at the Vatican and a manhunt in Paris. This guy eluded the French police…in loafers? He looked more like someone Anderson would expect to find hearthside in some Ivy League library reading Dostoyevsky.

I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and it was an exhilarating discovery. I hadn't known up until that moment that fiction could be like that. Fiction could say these things, could be unseemly, could be unsettling and distressing in that particular way, that immediate and urgent way.

Maybe you can make art out of unredeemed pain, but only if you're a genius -- Dostoyevsky perhaps.

Dostoyevsky wrote that 'while nothing is easier than to denounce the evildoer, nothing is more difficult than to understand him.

He evoked a Russia which was long dead and gone, lacked the range and urgency of his successors and, unlike these preachers, he was thought of - quite wrongly - as a painter of miniatures and, unfashionably, the pure artist. Yet like Dostoyevsky he believed that 'art must not be burdened with all kinds of aims', that 'without art men might not wish to live on earth', and that 'art will always live man's real life with him'.

Dostoyevsky says, "love in action is a harsh and dreadful thing compared to love in dreams" (The Brothers Karamazov).