Quotes About Representation

It seems to me a worthy goal: try to create a representation of consciousness that's durable and truthful, i.e., that accounts, somewhat, for all the strange, tiny, hard-to-articulate, instantaneous, unwilled things that actually go on in our minds in the course of a given day, or even a given moment.

I like to focus on stories that need to be told and are not told enough. When I get bit by that bug, and the story is saying, 'You must tell me,' I then go through a process which is often painful and arduous, and long - and joyful! - of submitting to the story until I prove a worthy enough vessel to get it out.

If you're not represented, then sometimes you might not feel hopeful and don't feel like you can do something that other people are doing when you're just as worthy as they are.

I am definitely trying not to take films that are mostly about dude problems, not because I don't think they're worthy problems, but there are a lot of people who will take those.

Black Lightning, Jefferson Pierce, Thunder, and Lightning deserve their own show because they are not 'the other.' They are legitimate superheroes in their own right, and so they deserve the full breadth of exploration. That's what makes them worthy, and that's why they deserve it. They are not 'the other.' They are 'the the.'

I used to always say - and I think a lot of artists think of it this way - that when you see a black figure, the way the critical establishment operated, you can only imagine that figure having a sociological value. They never say the ways in which their aesthetics were equally worthy of consideration.

It's one of the things about being a person with a public presence, to get to lend your name to a worthy cause.

We learn so much about the world by what we take in through movies and TV and books - we learn who's worthy of having their story told.

We pride ourselves on our democracy, but when you see the way it actually works, I think it is worthy of contempt.

If cattle and horses, or lions, had hands, or were able to draw with their feet and produce the works which men do, horses would draw the forms of gods like horses, and cattle like cattle, and they would make the gods' bodies the same shape as their own.

When I started coming to the U.S., they were offering me only the typical stereotypical roles: the druggard, the criminal, the gang member, or in the best-case scenario, the gardener or the cook. I was fed up with all these roles that were always the same. And I promised I would try to change the image of Latinos in Hollywood.

Everyone who has felt alienated by the games industry, both would-be players and creators, needs to rally together and support one another as we create a space for those of us who don't fit in traditional spaces.

We've got to get back to old-fashioned politics that's in touch with the people we seek to represent and to avoid self-inflicted wounds.

Sure, when you think 'World of Warcraft,' you might picture the nerdier set - those who may have sacrificed hygiene and sleep to reach one more experience level. But the truth is that 'WoW' is populated with players of all sorts of backgrounds, from rural housewives to NFL punters.

I remember loving 'Hairspray.' I was obsessed with it, and I didn't realise why. I felt so connected to it at the time because there wasn't any other kind of representation. So when it happens, you think, 'wow, I really connect with this movie. Why is that? Maybe it's because there's a girl like me up there on the screen.'

I'm not saying that I'm on some crusade to change people's minds. I'm just doing what I do. I'm a comedian, I'm trying to be funny... I think when they see a comedy show with an Iranian and an Egyptian and two Palestinians, I think they go, 'Oh wow, these guys are just like us.'

I remember a picture on the front page of the 'Sun' during the Brixton riots: a rasta guy with a petrol bomb, and a headline saying something like: 'The Future of Britain.' And I thought: 'Wow! Look at the power of that image,' and I wanted to get behind the camera to make these people three-dimensional.

My biggest luck was the Terry McMillan era, because what happened after the phenomenon of 'Waiting to Exhale' is that publishing woke up. They said, 'Wow. Black people do read.'

I think representation is the most important thing in the world. People who are young look up to the things that they see in the media. They want to relate and to be able to say, 'Wow, I can be successful.'

I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'

I don't know how often white people look around and think, 'Wow, there's really a lot of white people here; we should fix that.' But I know black people often look around and think, 'Wow, I'm the only one here - why?'

I want to be able to let people who aren't used to seeing a Santa of color say, 'Wow, there he is.' It's time for America to diversify.

People just can't wrap their heads around two young black women in a major production.

I definitely don't feel like I'm what Hollywood thinks of when they think of a Latina actress at all. They can't wrap their minds around it.