Quotes About Representation

For 25 years, it has been my privilege to represent the city of San Francisco and the great state of California to work to strengthen our vibrant middle class to secure opportunity and equality.

Democracy is not just the right to vote, it is the right to live in dignity.

What is the throne?—a bit of wood gilded and covered with velvet. I am the state—I alone am here the representative of the people. Even if I had done wrong you should not have reproached me in public—people wash their dirty linen at home. France has more need of me than I of France.

What is a throne? — a bit of wood gilded and covered in velvet. I am the state— I alone am here the representative of the people. Even if I had done wrong you should not have reproached me in public—people wash their dirty linen at home. France has more need of me than I of France.

Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing.

Honestly, I never thought I'd actually be playing a teen lesbian. I didn't think it was going to go this far. But I'm glad that it did, because there have been a lot of fans who have expressed that they've been going through similar situations in their lives.

When Tony Benn became a minister in the 1960s -- and I think this must be apocryphal -- he had a huge map of Britain hung upside down in his office, so the channel was at the top and Scotland was at the bottom and, apparently, he said, "This is how we need to look at this country, with the money and the power draining by force of gravity out of the south east." That was a great idea. I rather liked him for that. I don't know if it's actually true or not.

I don't think business news is just for old white men with money.

You are more than a number, a like or a vote. You are a voice. You are part of an authentic collective that is heard, honored and amplified to artists, their representation, managers, investors and record label,

But what I am claiming here is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. Our television set keeps us in constant communion with the world, but it does so with a face whose smiling countenance is unalterable. The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining, which is another issue altogether. To

But what I am claiming here is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. Our television set keeps us in constant communion with the world, but it does so with a face whose smiling countenance is unalterable. The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining, which is another issue altogether.

For on television the politician does not so much offer the audience an image of himself, as offer himself as an image of the audience.

It] is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. […] The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining. (87)

described as indexical. What he meant was an image made by the physical being of the object, not a line drawing.

To make a faithful picture, come as close as possible to copying the object as it is.' This simple-minded injunction baffles me; for the object before me is a man, a swarm of atoms, a complex of cells, a fiddler, a friend, a fool and much more. If none of these constitute the object as it is, what else might? If all are ways the object is, then none is way the object is. I cannot copy all these at once; and the more nearly I succeeded, the less would the result be a realistic picture.

Democracy meant all men were to be heard, and a decision was taken together as a people. Majority rule was a foreign notion. A minority was not to be crushed by a majority.

For some historians, drag queens are not the ideal representatives of the LGBT community. Oppression within oppression was and is still of concern. Even recently, with the transgender issue finally being taken seriously, there is still a backlash from the community about including them in the general gay movement.

LGBT history is written, like most history, by the victors, those with the means and those with connections to power.

It has been over forty years since the Gay Liberation Front first took trans seriously, but the gay men who wore those shirts with the polo players or alligator emblems didn't want trans people as the representation of their community. Their revisionist history has been accepted into popular culture because they were the ones with connections to publishers, the influence, as well as the money and time to sit back and write about what "really" happened.

Our intellectual maturation as individuals can be traced through the way we draw pictures, or maps, of our surroundings. We begin with primitive, literal renderings of the features of the land we see around us, and we advance to ever more accurate, and more abstract, representations of geographic and topographic space. We progress, in other words, from drawing what we see to drawing what we know.

A drawn line can be many things," he says, whereas a digitized line has to be just one thing.27

The basic principle of Western staff notation is that passing time is represented through a series of marks arranged from left to right on the page. Within the five lines of the staff (or stave), notes are arrayed from high to low. So a score is a kind of two-dimensional plot in which the horizontal axis is time and vertical one is pitch;

Lyotard suggests that while discourse operates as a system of representation which defines meanings according to their relation to other concepts in that system, figure is the realm of the singular, of that which refuses to, or simply cannot, be captured and systematized by the concept.

I offer myself in paint instead. It's self flattering, but that's our prerogative as artists—to record ourselves the way we wish.