Quotes About Songwriting

As a musician, I don't think I'm the greatest guitar player. I'm a bigger fan of the drums than I am the guitar; I just happen to play guitar. I play drums almost every day at my house. I wrote a lot of songs behind the drum kit, just having the music and vocals in my head and playing the rhythm.

The first song that I wrote that I was proud of was probably 'Hunter' from the first record. But I listen that now and I don't know. I mean, it's got a good hook, but still. I'm proud of it. I'm as proud as I can be of all the ideas, but I think 'Party' showed a maturity that I don't think I had on 'Aldous Harding.'

I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. It wasn't that I was writing and writing and writing and quit. Every now and then I wrote something, and every now and then I didn't. The second just outnumbered the first.

'Marvin Gaye' came about my first day in L.A. It was kind of crazy that that's my first song that I wrote and it blew up that much. What's crazy is the next day I wrote 'See You Again,' so that's pretty interesting. I was trying to prove myself as a songwriter.

I was 9 when I wrote 'Fate Stay with Me.' It was this fictional song about romance gone wrong.

I'm So Sorry' is probably one of my favorite songs that I've written... I wrote it very quickly and confidently. And then I didn't question it.

I put a song out for fun, from 'Lucky Them'... I wrote another one called 'Love Song.' I really liked that.

We wrote 'Stellify' for Rihanna, but as we got to the end of writing it, I thought, 'You know what? I'm gonna keep this for myself. We'll give her another one.' She'd have probably sung it better, but it is too good for me not to do it.

I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.

In '98, I locked myself in my house, went out of my mind and wrote 25 songs. I rarely bathed during that period of writing, I sent out for food, I didn't really venture out of my house in three or four months. It was a hell of an experience.

The first song I wrote, when I was 8, was about feeling really angry - like the weight of everything on my shoulders.

'Sally' is just a song that I wrote talking to my alter ego. When I write, I don't really consciously say, 'This is what I've been going through in my life, and I'm gonna put this into words.' It's just a song that I kinda went in and did. Then, listening back to it, I realized, 'I'm talking to myself.'

When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog - big as a donkey.

I had my whole life to write a bunch of crappy songs and then play them in front of people and think, 'All right, that one out of these seven is really good; it's a keeper.' But on this second album, to be honest, I probably wrote about 50 songs where I was just trying to write a hit.

I used to write random little stupid things when I was five, but then the first song I really wrote was one called 'Fingers Crossed,' which is on SoundCloud.

I always tell the story of 'Irreplaceable.' I initially wrote 'Irreplaceable' with myself in mind, with plans of it being my record. I love that record; however, what I realised about that record was that though given the circumstances of that situation - men and women are not that different - when you sing about it, it changes things, you know?

I only wanted to play the guitar so I could write music. As soon as I learned my first three chords I wrote my first song. It was just a tool to get me to be able to do the thing that I wanted to do.

I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.

I always sang standards because the songs I wrote for myself weren't as easy to sing.

I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.

I've always thought that whether I'm writing or not, I've gotta pick the best songs, whether or not they're mine. I'm not gonna sing them just because I wrote them. I've gotta find the best songs to make the best record I can.

I wrote 'The River' practically trying to rip off every lick that James Taylor had, so it was neat to hear him sing those lyrics because that's who inspired you to write them.

I'll never forget when me and Jason Matthews wrote the line, 'Don't be a tape player hater,' in 'Country Man,' I don't think I ever laughed harder. We didn't know where we were gonna put that in a song, but we knew we had to make it into a song. I just remember laughing and being so proud of such a goofy little line.

Danny and I wrote 10 songs in seven days, which I thought might be close to the record until you probably look at some of the Beatles statistics.