Quotes About YouTube

It's hard to sell merchandise off YouTube.

I want to stick with movies, but I also want to stick with YouTube. I'm never going to give up YouTube. I'm never going to stop making videos for the people who continue to watch them. That's my home base. That's what I love; that's what I know.

YouTube is a free service that is extremely easy to use. There are no downloads, and hundreds of audio and video formats are instantly converted to Flash, which makes it fast and easy for the community to watch and share video.

By augmenting the pages in the upload process with educational text regarding the type of content that can be uploaded to YouTube, we have seen a sharp overall reduction with users uploading copyrighted materials.

I'm a perfectionist, so everything I put out needs to be, like, 100 percent. So when it comes to releasing things on my YouTube channel, I triple-quadruple check it before I post it because this has got to be ready for the amount of people who are going to be watching, for sure.

I first went on YouTube aged 15, and people were saying, 'Why not do this cover?' Then they wanted to hear my own stuff live, and it escalated from there. Selena Gomez's parents found my videos and manage me to this day.

The word 'racist' is a permanent stain against my name. It's worse than a criminal record. Some people will never forgive me. Others will accept I made a terrible mistake and recognise I have learnt from it. It's on YouTube when my kids type in their dad's name, and it comes up 'Jamie Vardy racist'. On Google, too. It's horrible.

I remember, in 1999, the first time I met Steve Cram, I didn't know who he was. It was only later, on YouTube, I started watching Seb Coe, Ovett. So it's nice to be recognised as one of the best guys in the world.

I was introduced to fighting by my brother - he's a tattooer, a tough guy - and I completely fell in love with it. I was watching fights on YouTube all the time. I would go to parties to watch UFC fights.

I was increasingly disappointed how people in the media do their job or, rather, don't do their job. They are not there for the facts or pursuit of the truth; they are there to see, 'How do I get on TV or become a YouTube star.'

There's a new success model, and us and some of our peers are now starting to prove that TV and very traditional content also works on the Internet, specifically on YouTube, and it can rival television audiences and television production value. 'MyMusic' is proof of that, having a successful run and now coming back for a second season.

I moved to L.A. I wasn't really sure what I wanted to do, but I really like the entertainment industry. I started to make videos on YouTube to get more comfortable being in front of the camera. The first video I filmed was with my sister.

At the beginning, there was this competitive vibe, like, 'Oh, we've got to compete for this audience.' But then, over the next few years afterwards, everyone on YouTube realized the more we work together, the more we collaborate, it just benefits everyone. It just became a really friendly community.

I make funny videos. I hate saying I'm a comedian because then people stick their finger in your face and demand you tell a joke. But the other thing people call me is 'a YouTube sensation,' which is even worse.

Before YouTube, I was playing in restaurants and doing open mics - every once in a while, I'd throw an original in there. And then YouTube kind of just opened doors for me, so once I felt like I had an audience to share music with, I began to share my original music.

I don't think I would be here in an interview if YouTube wasn't in existence, if social media hadn't been developed, or if these platforms for artists to promote and develop their own careers hadn't become available.

YouTube's algorithm doesn't know what's going on in the world.

Flash Video made platform sites like YouTube possible as well, and helped kick-start the online video revolution.

Even in the days of early YouTube, we always focused on narratives, and we always focused on franchises. We didn't do a lot of vlogging and stuff like that.

I work in a studio with lots of young people, most of whom are my former students. We delight in trading YouTube videos! We all stop working to watch them. I'm totally addicted to anything with kittens and puppies, but 'Very Scared Kid' is one of my favorites.

After studying the subject for years, watching countless YouTube videos of Scientology handlers filming critics and journalists, it felt amazing to be on the receiving end myself: I felt like I'd been blooded.

I ended up having my first girlfriend when I was 13, and she was obsessed with Justin Bieber. I remember watching the 'Baby' music video and being so jealous of him. So I posted a cover of 'One Time' on YouTube, and she loved it.

YouTube's a funny place because so many creators fall into their aesthetics out of necessity and the visuals are driven out of an urge to create. You get a lot of interesting examples of interesting design choices that have roots in practicality as well as an artistic sentiment.

A user who essentially costs YouTube money has very little say. The way to have a say is to concretely support the creators and channels you watch directly by giving them money.