Quotes About New York

Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.

When I first moved to New York, all I did was musical theater. That's what I studied at Carnegie Mellon University.

I studied drama in high school, and when I was 18, I studied at the Actors Studio in New York. Then I moved to London when I got engaged to Bryan Ferry, and I studied at the National Theatre there.

I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.

I left my career in Hollywood, moved back to New York, and went to Lee Strasberg and studied with him for the rest of his life.

I moved to New York to be a theater actor. It's what I studied and what I thought I wanted to do forever, as you do when you're 18 and think you know exactly what you want. I was lucky enough to start working right away.

I'd studied acting in New York when I left Pierre - that was the big thing that I did. I worked very hard at it, actually.

New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.

I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.

I love the New York that was. The end for me was Studio 54. I don't go out at night anymore.

Mother was so good that I was defeated even before I started to be an actress. I thought I could never make it unless I spent years in the Actors Studios, went on the blacklist and lived in New York, as she did.

I came to New York to study ballet and English.

I moved to New York in the 1970s and started writing when I was at the Whitney Museum Independent Study Program.

When I started studying acting in New York, I didn't plan to be an action hero. I just wanted to learn acting because I felt it was something I needed to try to do for myself, to express something, my inner pain, or something I couldn't get out.

When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.

I really got the 'Rhoda' flavor from studying my stepmother, Angela, who's Italian, not Jewish. There's really so little difference between the speech patterns and family attitudes of Jews and Italians in the New York area, anyway.

I miss the New York bagel but miss the New York bialy even more. It's a great compromise of bagel feeling with less dough stuffing.

There is no place like America. Between the stunning skyline of New York and the bright lights of Hollywood it is out there.

David Harrington asked me to write a piece for Kronos Quartet for a performance in Prospect Park, Brooklyn. I live just two blocks from the park and spend many mornings running around it. The park for me symbolizes much of what I love about New York, especially the stunning diversity of Brooklyn with its myriad cultures and communities.

People always tell me the next stage of my career means moving to New York, but I never will. I don't care how that affects my career, and I think it's stupid that it would.

For a while, I thought, maybe I should direct, until I got to New York and saw the stupidity of that idea. If it's hard to get into acting, what is it like for a woman to become a director?

The best part about living in New York is that you are able to play with different people in different styles in the same week. It's really part of who I am as a musical person. I try to incorporate everything that I encounter.

I live in N.Y.C. and walk everywhere, so I like stylish shoes that are comfortable.

Growing up in New York has influenced my style so much, and I have an amazing relationship with my stylist, Estee Stanley. We have so much fun with the whole process. She picks out dresses, I try things on and play dress up, and we get creative to see what works.