Quotes About New York

I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.

I trained in theater. I loved Los Angeles, but I've found New York to be successful for me.

My best time is a 3:20 in Paris in 2010, and I trained to try for a 3-hour marathon in New York, but Hurricane Sandy hit, and it was canceled.

It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.

I'm a classically trained painter, and I was an illustrator in New York working with Fortune 500s companies as well as the NBA and the Olympics. I first got into sculpting when I created a sculpture based on a painting I had done for the 1984 Olympics.

I quit comics in 1988 and trained as a bus driver. I used to drive those big Greyhound coaches out of New York Port Authority and down to Princeton, New Jersey. It was, hands down, the best job I ever had, and I profoundly regret having left it. I kept that job the entire time I was on staff at DC Comics in the '90s.

I just wanted to go to New York and be on Broadway, but then I was accepted by Juilliard, where they trained me in classical voice. It was great in the end, but at the time, I thought, 'What am I doing here? This is not my path.' But it was absolutely my path and where I was meant to be.

My diploma was in film and videography and I then went to a film academy in New York, where I trained in acting as well.

My family's support and the negative environment of the day toward blacks in South Carolina became the forces that led me out of the South - first to New York, then to Philadelphia, where I found opportunity in the form of a PAL gym and my trainer, Yank Durham.

In New York, the trains run all night, and the cabs are so cheap.

When I was 7, we moved to New York because my dad's job was transferred.

In the beginning, New York and I had kind of a love-hate relationship. It seemed so abrasive compared to Europe. But the transformation here in recent years is really something. I don't think I would have seen as much change if I'd lived in any other city in the world.

Living in N.Y.C. has truly awakened me to the New York elite and their penchant for the city's self-described brilliant public transit system. I think it sucks... just like public transit always does.

I've had an advantage; I've had a sort of open public acceptance in New York that doesn't happen to just anyone trying to make the transition you were talking about.

I feel like my transition, in a broader sense, began the second I left home and came to New York. Because all of a sudden, I opened myself up to options about how to be.

My kitchen in New York City is in the Richard Meier building on Perry Street, so it's ultra-modern: white, glass and transparent. It's 180 square feet, with an induction stove. Everything's hidden, so you don't see the microwave or the fridge.

L.A. films are hard to define compared to New York films because New York films are their own subgenre, in a way. L.A. is more transparent.

When I was in New York, I took my bike everywhere for transportation. I didn't have a fixed-gear bicycle, like a lot of the messengers do, but I had a stripped-down deal - having lost a few good ones in New York - and I did 10 to 15 miles a day just getting around the city.

A healthy Amtrak is an integral part of New York and the Nation's economy and transportation systems.

What would be a bigger spectacle, a female with one shoe on or a well-dressed female with no shoes? This is New York so I said fuck it.

In New York, if you weigh under 200 pounds and decline so much as a cookie at a co-worker's party, women will flock to your side, assuring you of your appealing physique. This is how skittish we are about the dangers of anorexia and the pressures of body image.

My grandmother was a kind of Scarsdale, New York, society woman, best known in her day as the author of the 1959 book 'Growing Your Own Way: An Informal Guide for Teen-Agers' - this despite being a person whose parenting style made Joan Crawford's wire hangers look like pool noodles.

This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.

Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.