Quotes About Diversity

Culturally, it is commonplace for African women to work.

With growing and intermixed minority populations, our democracy can not work optimally unless all people are integrated as full and equal members, and I think our collective freedom requires that.

I don't think it's the case that 'posh actors' get more work than others.

There is a saying that every single person in the world has something to teach you. So the more people I get to work with, the more I can learn and the better actor I will become.

I've always wanted my offering to have broad appeal and work for a diverse range of women with different lifestyles.

I've had the pleasure to work with a lot of very great actors. And they're too different to say who's the best.

Women of color: if you're over 40 and you get fat, you will work. But if you're hot and over 40 and a woman of color, they don't know what to do with you.

I'm not fussy about the medium I work in. I'll do television radio, you know. I have to, because that's the only way I can do continually good roles.

What I love about the environment we live in and we work in, is that there are no boundaries anymore. We can do a lot of different things. It keeps us going.

[My work] is a love song to our mongrel selves.

Try and fit in in a New Zealand playground with an Armagh accent - it doesn't work.

I've always been inspired by a lot of work coming out of the UK

When I got to Hollywood, at first I couldn't get a lot of jobs. So I grew a beard and look like a really bad Arab, and I started to get a lot of work because that's what they want.

It's completely different to work with a woman that is my age, maybe younger.

I think if people looked at my body of work, they'd see a great breadth of work.

Canadians shouldn't come down to Southern California and take jobs away from Mexicans.

I've been proud to work on some really great children's shows, but they are not my only interest.

I think that black fiction authors have to work very hard to avoid being typed as seeking only a black audience.

Don't go to the same studio twice, or work with the same engineer twice.

I was struck by the effortless way they moved between musical styles, all the while managing to make each their own. It was instantaneous that I knew I wanted to work with them.

You work with stand-up comedians or you work with somebody in theater, you work with somebody from Star Search or Survivor or a kid, it constantly changes how you play with people.

I believe in a uniform for work, but why, because we're men, do we have to be ghettoised into grey suits?

Basically, people in other countries don't want to have to work quite as flat-out as they do in Japan.

I'd like to work with Outkast, I'd like to work with RZA, I'd like to work with Timbaland, York, a whole bunch of people.