Quotes About Concert halls

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

Recordings aren't time sensitive. You can hear the music you want whether it's morning, noon, or the middle of the night. You can "get into" clubs virtually, "sit" in concert halls you can't afford to visit, go to places that are too far away, or hear people sing about things you don't understand, about lives that are alien, sad, or wonderful. Recorded music can be ripped free from its context, for better and worse. It becomes its own context.

Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. 'We the people'--affect the making and quality of most of our culture, but not our art.

We are fans of Mozart and Beethoven, as well 'South Park' and Borat. We believe that we can attract many people who eschew the serious ambiance of concert halls and don't go to classical music concerts because of such reasons. However, there is a 'serious humor' on the stage: funny and ridiculous. That is important!

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

The Islamic State does not want us to open our doors to their refugees. It wants them to be hopeless and desperate. It does not want us to enjoy ourselves with our families and friends in bars and concert halls, stadiums and restaurants. It wants us to huddle in our houses, within our own social groups, and close our doors in fear.

Over the years, I managed to develop this comedy career, went from opening act to headliner at comedy clubs, to playing concert halls, and had an off-Broadway show with 'Sleepwalk With Me.'

And the concert halls overflow with humiliated, outraged people who close their eyes and try to turn their pale faces into receiving antennæ. They imagine that the sounds flow into them, sweet, nourishing, and that their sufferings become music, like Werther; they think that beauty is compassionate to them. Mugs. I

but you are too much for them: the weak in courage are strong in cunning; and one by one, you have absorbed and have captured and dishonored, and have distilled of your deliverers the most ruinous of all poisons; people hear Beethoven in concert halls, or over a bridge game, or to relax; Cézannes are hung on walls, reproduced, in natural wood frames; van Gogh is the man who cut off his ear and whose yellows became recently popular in window decoration.

those nights out in the concert halls were nothing less than a revelation about the workings of his own heart, for music was the heart, he realized, the fullest expression of the human heart, and now that he had heard what he had heard, he was beginning to hear better, and the better he heard, the more deeply he felt—sometimes so deeply that his body shook.