Quotes About Daredevil

Daredevil was known as 'The Man Without Fear,' and I just thought, 'Well, I don't think that's very interesting.' I don't think it's very interesting to watch someone who's incapable of feeling fear. It also removes from the palate my favorite character attribute, which is courage. If you're not afraid, you can't exercise courage.

It was said Daredevil grew up in Hell's Kitchen, an amazing name for a neighbourhood. But that opened a Pandora's box of all the crime stuff I wanted to do. I borrowed liberally from Will Eisner's 'The Spirit' and turned 'Daredevil' into a crime comic.

The things that churned inside Daredevil were deeply religious, somewhat guilt-driven traces of the messianic, with his powers being a compensation for and driven by the vulnerability of being blind. Green Arrow is not driven by dark forces.

I walked the streets of New York; I would feel the presence of Daredevil. I would see him up on the rooftop. What you are doing in your life, you start to see in your book. It all starts to merge together.

I really love the Marvel universe, one of my favorite is Daredevil. I really love also the Punisher and I don't understand why they made so many bad movies on that character.

If any city was a study in noir et blanc—be it black-and-white photography, film, or literature—Paris was it. The French versions of all three techniques were born during the Age of Romanticism. So was the concept of the daredevil avenger-antihero of the noir crime novel genre, the so-called polar, a Parisian specialty I learned to love.

When they first asked me to do 'Hulk,' my first instinct was to say no because I didn't think I had anything to say with the character, especially when they said, 'Please do what you did with 'Daredevil,' whatever that was.'

Was there something of the deamer, or a certain dignity, about Abel? Not a scrap. A tiny squirrel, as quick as lightning, a daredevil with every limb in a state of commotion. He would be seen simultaneously up by the church and down on the shore; he never walked if there was the faintest possibility of running. It was hurry hurry, his great boots thundering along the street.

The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers.

My life has been being a daredevil. I am Evel Knievel. I am a daredevil.

When I was auditioning, I didn't know it was 'Daredevil.' Everything was secret. They're secret agents. They wouldn't give you any clues. I was a big fan of the show, and I think it helped me, once I got the part, to really understand the world that they live in. It helped me during shooting.

I'm a daredevil. I'm not much for authority or rules.

I'm a lot like my dad: a little bit of a daredevil. I like an adrenaline rush.

I don't know if I'm a daredevil, exactly, but I do enjoy a good challenge. It's the only way you grow.

I want to validate that I'm the greatest daredevil in daredevil history.

I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.

If you talk to anyone who's done a stair fall, there's not one stair fall, no matter how many pads you have on or how protected you are, where you don't hurt something really bad.

This is not the story of Elektra from the comics. We're telling the story of 'Daredevil.' In this aspect, the storylines accentuate the sociopathic tendencies in her. The writers wanted to highlight that Elektra is quite manipulative and doesn't seem to have a conscience.

Quite simply, we're re-telling the very first adventures of 'Daredevil', as originally seen in DD #1-6, but in a modern style and setting - being faithful without being slavish. And I'm using those adventures as a framework to delve into Matt's psyche a little, as he learns to become a hero.

I learned about the psychology behind Elektra and that excited me. And then I read the 'Daredevil' comics, especially when they met because I wanted to get an understanding of the relationship between Elektra and Matthew.

I think that when Evel Knievel crashed over the fountain at Caesar's, it kind of gave you a credibility and then anticipation for everything he did.

YOU'RE getting to be pretty good on that motorcycle, Frank," Joe said as the boys rode into the Hardy garage. "I'm not even scared to ride alongside you any more!" "You're not scared!" Frank pretended to take Joe seriously. "What about me—riding with a daredevil like you?

I read pretty much every graphic novel I could lay my hands on. Not only 'Batman' or 'Daredevil,' but random ones like 'Black AF' and '100 Bullets.'

I woke up in my apartment one day, about seven years ago and I thought, I'll do the Knievel rocket jump.'