Quotes About Construction

There are 10 million bricks in the building, 27 miles of main and counterweight rails used for the tracks of the elevators, about 200,000 cubic feet of Indiana limestone, and 6,400 windows. The completed building contains 37 million cubic feet. The 210 columns at the base support the entire weight of the building.

During World War I, Paul Starrett formed Starrett & Goss, which built steamships for the government. By the time Starrett Bros. & Eken was formed in 1922, Paul had already built Macy's to the designs of De Lemos & Cordes; Pennsylvania Station and the Main Post Office to the designs of McKim, Mead & White; and Warren & Wetmore's Biltmore Hotel, where the meeting with the Empire State's directors would decide their fate.

In 1929 the firm received their largest project to date, the one that might have won the day for them on the Empire State project—they built the Bank of Manhattan Building at 40 Wall Street, which was pitted against Chrysler in the race for the world's tallest. The foundations were started in May 1928, before the site was entirely cleared; less than a year later, the bank moved in. The seventy-story, 927-foot-high building was completed in eleven months.

When asked how long they thought the Empire State job would take to build, Paul Starrett said that they could tear down the Waldorf-Astoria Hotel and finish the new building in eighteen months. He also said that their fee for all this would be insignificant compared with the amount of money the corporation would save by having the construction completed in such a short time.

The step from using steel for strengthening masonry to using steel to carry the masonry might not seem enormous, but, as Harvey Wiley Corbett pointed out in The New York Times, Buffington's step was the single most momentous discovery in the history of building since the days of Rome. Architecture was freed from the shackles of stone weight and was made flexible. Buildings

In September 1929, just as the architects were getting down to work on this unprecedented building program, management set a date that seemed unrealistically early—May 1, 1931. That date gave the architects a year and nine months in which to design the building and to oversee its construction.

Stone and wood had been the coin of the building realm until the arrival of cast iron in the middle of the nineteenth century. Until then the weight of buildings had been borne by their walls, but in 1848 James Bogardus used a skeleton of cast-iron posts and beams to support a building from within. Since the walls no longer bore the load, they could be freed from their former obligations.

Elisha Graves Otis had demonstrated an elevator at the Crystal Palace in 1853 that had a safety device that prevented it from falling if the cable broke.3 In the cast-iron Haughwout Building on Broadway at Broome Street, where china and cutlery were sold, Otis installed the first of his passenger safety-elevators

The basic plan of the building was reached in four weeks.

I smiled, reached into my pockets and pulled out a pair of ultrapowerful earplugs, the kind that are standard issue for skyway construction workers, artillery soldiers, and roadies for the thirty-five most popular teen boy bands.

Building your own house is a primal urge, one of those universal genetic drives like the need to provide for your family.

You might be a redneck if the richest member of your family bought a house and you have to help take the wheels off of it.

I came to architecture from building. Because my father was a builder, everybody was - and is - a builder in my family.

I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.

If life is a highway, I wish someone would finish with construction already. I'm tired of the detours, road blocks and pot holes.

A most important lesson taught by nature. Only after destruction there is construction. Only on letting go will new opportunities crop up.

Beneath his fine skin the bold construction, the feudal architecture were apparent. His head made one think of those old dungeon keeps on which the disused battlements are still to be seen, although inside they have been converted into libraries.

Her task may be to deconstruct a moral order which is based on a heterosexual construction of reality, which organises not only categories of approved social and divine interactions but of economic ones too. The

One can't build a skyscraper out of ideas, and one can't build models without concepts and laws.

Pennsylvania's Religious Freedom Protection Act of 2002 (RFPA), removed a number of categories from its reach, including criminal offenses; motor vehicles; licensing of health professionals; the health or safety of individuals in facilities operated under the public welfare code; the safe construction and operation of health-care facilities; health and safety in construction; and mandatory reporting of child abuse.30

Funny, there had been a time when building things was what America did. From massive dams to towering skyscrapers, from mechanized factories to moon rockets, the nation had created, had viewed that as part of the national identity. Being an engineer or an architect had once been high aspirations.

Funny, there had been a time when building things was what America did. From massive dams to towering skyscrapers, from mechanized factories to moon rockets, the nation had created, had viewed that as part of the national identity. Being an engineer or an architect had once been high aspirations. Now everybody wanted to be musicians and basketball players, and America didn't build squat.

Her life seemed to her a great engineering work scarcely begun. Lately more excavation than construction had occurred. She had lost a sense of her own invincibility. In that way she was no longer archetypically American.

That is, when ordinary reality is perceived as a construction rather than as an objective fact, fantasy can no longer be thought of as what contaminates reality, but should instead be regarded as a process of bringing the world alive for us in a particularly vibrant fashion. According to this vision, "reality" is a fantasy that we elaborate on an increasingly intricate level during our entire lifetimes.