Quotes About Television

We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.

I worked with Nick Hurran when I was 15 and had to remind him of this. I did a drama for ITV which he directed.

Playing in front of 25,000 people and millions more on television, and performing and doing what I worked so hard to try to accomplish was, in my opinion, the ultimate. Do I miss it? Of course I do.

I worked in 'Ghar Ek Mandir,' 'Kaahin Kissi Roz' and 'Kabhi Sauten Kabhi Saheli,' but it was 'Kutumb' which was the turning point.

I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.

I can talk to more persuadable voters in a week on 'The Five' than I could at CNN in a year, so it's worked out fine.

I had accepted a position as a business analyst at Deloitte Consulting in New York. But before I went into that workforce, I decided to take a year off and went to India to do a social enterprise fellowship. It wasn't the best fit, but that was where a TV show in Korea found me and invited me to first come perform.

For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.

I was working with Bryan Cranston in 'All the Way.' We were about to make an entrance together - I was Hoover, he was LBJ - and he says to me, 'You should play the brother in 'Better Call Saul.' I was like 'What?' and it was time to go on. I'm doing the scene, and I can't think of what Hoover's supposed to say.

Working on the Dave Chappelle show was amazing.

I pretty quickly move from an idea to possibilities for execution. If there's one advantage, I think, with working in television for even a short amount of time is trying to gain a faculty for processing a storyline or an idea and how to then best implement that and execute that as swiftly as possible.

When you're done with a job, even if you do stay in contact with certain people, it's never quite the same. It's a unique experience when you're working on a film or a television show together. You're together for 16 hours every day, sometimes six days a week. You're just never going to have that proximity again. So you miss people.

I'm not a movie star, but I've been an actress forever, and the first time I went on a date with my husband, he said to me, 'So I hear you're an actress. I've never seen anything you've done.' We were like, oh gosh, 21 when I met him, and I laughed, because I'd done 'Life Goes On,' and 'Christy,' and I mean, I'd been working forever.

I'm working harder now than ever before. I couldn't turn down the BBC job because I've never been offered the opportunity of killing three or four people on screen before!

One of the things that's, I think, hard in television is that there's a certain sameness to a lot of television because you're working in a very constricted box, and the box is defined by the amount of money you have to spend and the amount of time you have to get ready.

I did, of course, eventually find my way into television, taking all kinds of jobs, climbing the ranks rung by rung. Anyway, it was several years later, when I was working nationally in Hollywood as the announcer and second banana on ABC-TV's late-night entry, 'The Joey Bishop Show,' that I had my big moment.

For the working actor, there's nothing more stable than a network television show.

I don't feel I was ever a 'famous' child actor. I was just a working actor who happened to be a kid. I was never really in a hit show until I was a teenager with West Wing playing First Daughter Zoey Bartlet. In a way, that was my saving grace - not being a star on a hit show. It kept me working and kept me grounded.

Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

My parents didn't want me to be a regular in a series. I was a working actor from time to time but they thought was a little too much being a star of a series. They wanted me to have a slightly more normal childhood.

The thing with 'The West Wing' is that the fantasy was legitimately better than the reality - these were smarter, better people than their real-life counterparts, working together at a better White House than the one we had.

The first time Rachie and I will be working together is on an episode of 'Doctor Who' specially written for us by Mark Gatiss. How lucky is that?

Writing and producing television very much speaks to the extroverted part of my personality. I love collaboration, the joint effort of hundreds of people working together to create something. But the other part of who I am is extremely introverted. I love being alone and dreaming up ideas and writing novels.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.