Quotes About Television

My favourite moment from the Oscars was when Brando didn't attend and sent a Native American woman to talk about Wounded Knee. She delivered a very unpopular and lengthy monologue about the injustice for indigenous people in North America. It was one of the greatest moments in American television.

When my hair was dark for 'House,' that was the hardest to maintain because it was like every three weeks my light roots would start coming in. And you can't really just dye your hair one color brown because then it looks like a helmet on television, so then I had to have four colors of brown woven into my hair every three weeks.

When you reach a certain age, and people see you on television, they look at you and think, 'Wow! Everything must be great!' Well, everything isn't always great. You can be hailed on the street corner, but you still have to go home and take out the garbage.

I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'

I remember when the first police scary video thing came out, and you thought, wow, ooh, look at this, come and look, come and look. And now it's on every channel.

When we could split the screen, it was like 'Wow!'.

Sometimes, I'll be flipping the channel at home and think, 'Wow, there's a lot of me on TV.'

I did an episode on the TV show 'Awake,' and I thought, 'Wow, that's really hard.' To do that so fast and to do that, if it's very successful, for nine months out of the year, for a bunch of good years, that's challenging. But, it was interesting. It's a good show. You'd have to have a very good character, I guess.

Sometimes people look at television personalities and say, 'Wow, they've never had any problems.' And I really wanted people to know that hadn't been my path. I want people to know the real me underneath.

With the TV shows, you get eight zillion people watching you. I was really surprised at the way everything went. I knew television was powerful, but that was just... wow.

Some things I see on television, I think, 'Oh my gosh, they're showing that now?' wow.

My first media interview was when I was a high school freshman and I was set to compete at state champs. The interview was the first occasion people had heard me on TV. When I watched back the recording on TV, I thought, 'Wow, is that what I sound like?' I didn't like the sound of my voice.

My first week at 'DWTS' was amazing! I definitely fangirled when I walked into the ballroom because I looked at all the judges and where they were sitting, and I was like, 'Wow, that's the official judges' table!'

I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'

Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.

There is something to be said for one vision and following one vision through. I do think it's something TV will catch up to at some point and realize, 'Wow, we're in the Golden Age of Television right now; we've taken television to another level, but now let's take it to an even higher level where it is one vision throughout a whole season.'

My first day of 'This Morning' was pretty wow, and I think that was just because it was a big huge deal for me. I'd always said 'This Morning' was my dream job so to actually get it and actually be standing there and saying 'Hello, welcome to 'This Morning'... ' that was a big moment.

I've really grown to find myself. I've started to learn the TV style, if you would. And with WOW, I've been able to meet some of the best people.

Every time I tell someone that I'm doing 'Spooks,' they're like, 'Wow!' That's a guaranteed reaction. It's such a high-end show, it's so sexy and slick and smooth.

People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.

With 'Girlfriends,' even with 'The Game,' or even with 'Being Mary Jane,' I didn't get a chance to wrap up the story and, more specifically, show love.

Cable shows do 13 episodes. I get that. I can wrap my head around 13 episodes. You make them all, you post them all, and then you get to air them. The network cycle is way more intense. There's more episodes.

I told my parents I wanted to be an actress years before I wrapped my head around what my dad did for a living. It's not easy to explain the job of the television journalist, especially when a lot of my friends' dads had jobs that were a lot easier to explain, like a lawyer, a banker or a doctor.

The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.