Quotes About Television

Truth be told, I didn't want to be on T.V. I was going to be a writer or producer or a director, and at the end of my sophomore year, my department chairman put me up for a job doing weekend weather in Syracuse, New York.

One week before my 17th birthday, I had a blind date with June Rose, a television actress on network soap operas, a model, and a regular on the popular Dick Clark's Saturday night 'American Bandstand' show from New York. We were married five years later, one week after my graduation from Columbia.

My recipe for bliss on a Friday night consists of a 'New York Times' crossword puzzle and a new episode of 'Homicide;' Saturdays and Sundays are oriented around walks in the woods with the dog, human companion in tow some of the time but not always.

When I moved to New York City from Israel, I came here with the idea to get a great job, have tons of fun, and make a lot of money. Growing up in Israel, I watched a lot of American TV, and I thought it's what the 'cool' people did, and I wanted the same thing.

I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.

I was watching TV and saw the 'Emeril' show, and it spoke to me. I went out and started researching the culinary world and chefs that I knew nothing about. Then I moved to New York and went to culinary school, and everything just fit like a glove. It's been on ever since.

'Northern Exposure.' I loved that show; I loved the way it was able to have episodes where somebody finds a woolly mammoth, he calls the museum in New York, they send a guy out, and the mammoth's gone because someone ate it. To me, that was everything I ever wanted to do. That show mixed emotion, humor and the surreal all at once.

One identity is as a television writer, which is very classically Southern California, but another of my personae is as a New Yorker cartoonist.

As a child growing up in a grey-skied Yorkshire village, I would occasionally happen upon a Bollywood movie on the television. After a few minutes watching a bunch of sari-clad dancers cavorting on a Swiss mountain to tuneless music, I would switch over to some proper drama about housing estates and single mothers.

It is harder to get adult, character-driven material on television than it used to be, but there are lots of other places that you can go to sell it. If you can do it for basic cable or pay cable, we have those outlets.

I heard I won 'best butt crack' on television recently. It's true. I did it, you guys. I made it. I wish I got an award, the actual award. What would it look like? Of course, it's a closed set.

And I grew up watching all the British ones so when you hear that from an early age, it makes it much easier than you guys who don't grow up with Australian television or British television.

With the advent of cable and such, you guys are calling it the golden age of TV in terms of the writing and stuff. But it's like different branches of a big tree that TV has become.

I was only allowed only to watch public television until I was 12 years old. I would come home from friends's houses with a list of demands. 'OK, We have all the wrong cereals. You guys are asleep on the job.'

If you want to see great mixed martial arts, tune in when I fight. If you want to see drama and all of that stuff, you guys can go watch 'Bachelors in Paradise.' They'll give you enough drama you can want to watch.

I don't know what's coming down the pike in 'Gotham.' Part of me goes, 'Man, I just wish I could be in the writers' room. Do you need someone to make you guys coffee?' I just want to be a part of the flow of it.

Reality TV started becoming big when I was in college, around 2002. I remember everyone kept saying, 'Man, you guys should do reality.' And I was always like, 'I don't know.'

When you're young, you look at television and think, there's a conspiracy. The networks have conspired to dumb us down. But when you get a little older, you realize that's not true. The networks are in business to give people exactly what they want.

When I was young, I'd watch guys on 'The Tonight Show', Buddy Hackett, guys like that, where all they'd be is funny. Later, I remember, on 'Late Night with Letterman', I remember he'd have Jay Leno and Richard Lewis as first guests and the entire point was to entertain and be funny, and I think talk shows have kind of lost that.

I'm often asked where my nickname 'Kun' comes from. My parents says it was a Japanese cartoon I used to watch on television when I was very young, set in the Stone Age, where the main character was a boy called Kum Kum, the little caveman.

I don't like this young crudeness now which is supposed to be comedy on Friday nights.

When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.

A young basketball player has people to look up to an emulate. We are a pro league, and we're on television. It makes a difference. It's shows what's possible.

Rooming with six strangers and having my life taped for MTV's groundbreaking reality series, 'The Real World', in the nation's most liberal city was a formative experience for a young, Hispanic, conservative, Catholic girl from the Southwest.