Quotes About Television

It is great to add some glamour to the food industry, like television shows have done for the food world and inspiring people to work in the industry. The flip side of that is unfortunately people think that after they get their qualifications, they get their invitation to compete on 'Top Chef.'

Joe sat on the couch, his long legs sprawled in front of him, and listened to the latest report of soldiers dead. The walls blinked and his face, too, went black, white, black, white, as the pictures crossed the television screen.

Where TV lets you down, I'm discovering, is by not convincing you how things really work in the world. Like, do buses stop anywhere along the road, to pick up any kind of asshole, or do you have to be at a regular bus stop?

I like 'The Office.' I particularly like the British version with Ricky Gervais. Of course, I liked the 'Seinfeld' show a lot. I thought that was an awfully good show.

Since I've worked in film and television for so long, I've acquired the ability to let the version of the characters that lives in my mind make way for the living, breathing humans who are going to play them on screen. If you cast it right - and casting is about 80% of directing - they will eventually replace or exceed the imaginary image.

Some might not know that 'What's Happening' was the television version of 'Cooly High.' When I went on the audition, it was an audition for exactly that: the TV version of the movie.

Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too.

About a year after 'Bosom Buddies,' I was suddenly a regular on 'Newhart,' and I was there almost seven years. And then, somewhere in the mid-1990s, I ended up doing a TV series version of 'Honey, I Shrunk the Kids.'

The version of me you see on TV now and in my feature films is a pretty happy guy, isn't he?

Once you buy into a television show, there doesn't have to be resolution from week to week. You can develop characters and storylines and react to the audience, so you get more of a serialized version of storytelling where you can go much deeper into each character. It's more like a novel.

I was 11 years old when I saw the first season of 'The Real World.' Initially, I was drawn to the show because it was what I imagined the adult version of my life should be.

Commercials were once TV's version of the church. Which is to say, you couldn't offend the sponsor; therefore, certain values had to be underscored in the subject matter.

It's really rare in TV not to think, 'Well, I've seen a version of this before.'

For two consecutive Broadway seasons, I had probably the best juvenile roles there were for an actor. Then I moved to California to recreate my role in the film version of 'Tribute.' I started working in film and television after that, and 38 years blew by!

I loved the extended version of 'Aliens' because it shows just a little bit more that you don't see and what they always show on television.

I was on 'Junior Star Search' when I was 10 years old, in the acting category. The adult version of 'Star Search' didn't have an acting category, but for the kids, they had an acting category. It was the strangest thing. It was full blown 1980s, with big hair, mullets, and the whole deal.

I'm a big fan of 'The Office', both the British and the American versions.

Television, particularly as it becomes more and more serialised, comedies no longer have to tie the stories up neatly within 20-plus minutes. 'Arrested Development' had evolving storylines, as did both versions of 'The Office.' We're seeing that more and more. That allows it to be really, whatever the tone, almost literary.

One thing Aussie telly does well is slightly different versions of programmes we've made. The trailers for 'Celebrity Splash' prove they don't just pick the good stuff either.

Usually with something like 'The 100,' because you're working so much and every day, and they'll change the drafts quite quickly, we'll go through maybe, like, 12 different versions of the same scene over a week. So there is no point in learning it on a Tuesday when on a Thursday it might be completely different.

The early versions of 'Shell's Wonderful World of Golf' were great. It's sort of interesting: as it progressed, it became worse and worse, but the early versions were really fantastic with Jimmy Demaret and Gene Sarazen. They were classics.

I think what HQ Trivia's done is taken the old-school idea of a trivia show - a quiz show - which has been around since the dawn of television, even radio, and made it a participatory event versus a spectator sport.

The ratings board is completely different when it comes to film versus the television arena.

The last season of 'Rescue Me' is going to be very sort of half and half: it's how you think 'Rescue Me' would end versus something very outside the box. And, they do it in this sort of perfect way - it's only nine episodes, you know. Very stream-lined.