Quotes About Television

'Euphoria' was a lot of fun wardrobe-wise because I actually got to wear clothing that I would regularly wear.

Merlin' was awesome, but the costumes would drive you insane. Every day, you'd get into chain mail and wear 30 pounds of that stuff.

I'm like one of the tallest ones on 'Scandal.' If I'm wearing my four-inch Abby Whelan high heels, I hover over everybody. I literally have a lower pair of high heels that I wear when I do one of the scenes with the guys.

There is a lot of things to be outraged about these days, and I think that getting outraged about an actor on a television show who may be wearing a costume that makes him larger than he is, might be low on the list.

When I watch a TV show I wouldn't notice if someone was Muslim or wearing a hijab. It's nice to be on a show where your skin colour or religion is incidental.

For each episode the five of us are all wearing clothes by the same designer. It's a different designer for each episode, but for each one we're all wearing their clothes.

I am actually wearing slacks on the show more than I ever have - it is now acceptable, and I like mixing it up.

The great challenge working on this show for me is wearing polyester all day long and having the worst haircut known to man at the top of my head and sitting under fluorescent lights. That is America, people. Polyester, bad haircuts, under fluorescent lights.

There were episodes where I would wear seven or eight outfits. It took a lot of time to get those together. What the character wears is very essential to how I create the character.

Often in films, you have no idea where you're going to be six months from now. And I grew very weary of that. And television, although it wasn't necessarily as creatively diverse as filmmaking can be, it was the lifestyle choice that I needed to make.

Weary soccer players just cannot run anymore and must resort to shootouts after 120 minutes when a result is mandatory, but men on skates can go indefinitely, no matter how badly it disrupts the television network's schedule.

The TV weatherman has always been one of the best, most secure jobs. They change anchors, they change the set, producers come and go. But the weather person hangs on forever!

In the future we will all be famous for 15 minutes. It will be on a daytime magazine programme and we will each wear a tasteful shirt and slacks combination. We'll be interviewed by a soothing voice under a clock that's permanently set to 4pm. We will talk about the weather. We will record for months to get 15 minutes they can use in the edit.

My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.

I rarely watch TV but I guess I'd watch the weather report since I fly so much.

Savvy observers occasionally note television's resemblance to the weather: Everybody loves to complain about it, but nobody can do anything to fix it.

I would have loved to have been a broadcast journalist. I'd even love to be the weather girl. I have to watch the weather every night; I'm just obsessed.

As I went to college, I went into radio and television. Now I suppose most people think that's one step ahead of basket weaving as a major in college, but it was part of the journalism department.

I believe that there is a simple demand and supply rule that works on television. While many are hooked on web series, some enjoy non-fiction. Similarly, there are people who love watching supernatural genre.

Netflix and Hulu are just extensions of television that live on the Web.

Television is, in many respects, a passive medium: people receive information without really exchanging ideas with others. By contrast, the Internet can be an active medium, allowing individuals to use e-mail, discussion groups, and even Web sites to engage with one another.

Whether it is a film, television serial or web series, there are three basic things that I consider when I give a nod for a project. Firstly, is the story bringing any effect on my mind. Secondly, the integrity of the makers, and how it will impact the society once the story goes on the public platform.

Different mediums are giving a different kind of satisfaction. The reason I do television, if I do web for the same reason, I will not be able to sustain it, and vice versa.

I think that television and the web are fusing anyway, so I think that ultimately whatever I do, I'm going to blend the two forms.