Quotes About Reaction

It's one thing to boo, but to actually pelt someone down below because you're upset a sporting event went a certain way is just so bizarre to me.

I seem quiet. But when I get upset, I talk too loudly. I'm sort of an alarmist.

I remember as a really young child, watching his energy on the sideline and watching him get excited, his body movement, the way he reacted. It's fun to hear other people tell stories about my dad and the things he did in games and the way he'd get upset with officials.

When I started my career in television, there was a certain type of stories that were told. Who would have thought that one day I would get a chance to make a film on a story that is based on nothing, just a slap - a habit or practice that has been normalized for so long that if the woman gets upset over it, society says she is 'over-reacting.'

I don't know of anybody not trying on offense when they're upset.

Women are most adorable when they are afraid that's why they frighten so easily.

If a work of art or a new style disturbs you, then it is probably good work. If you hate it, it is probably great.

Anger is the feeling that makes your mouth work faster than your mind.

When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.

You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye.

My work disturbs people and nobody wants to be disturbed. They are not fully aware of the effect my work has on them, but they know it is disturbing.

When you see a snake, never mind where he came from.

When you improvise, you work off the laughs from the audience, but when you step on stage to do standup, it's silent.

If I'm not doing the work I want, I usually suffer a psychological allergic reaction and get ill. It niggles when things get out of my control.

I find relatively little relationship between the work of art and the immediate critical response it gets.

When the chemistry is right, all the experiments work.

As a viewer, my own work elicits strong emotional reaction from me.

When something is moving you get that intake of breath and that stillness from the audience.

I was booed at the premiere of 'Miss Julie,' a remarkably stimulating experience.

In many cases of inflammation, the vascular changes develop slowly and long after the application of the stimulus which is responsible for the inflammatory reaction.

You feel a lot more in your hands if the pitch gets in on you and busts you in the handle. It stings. But when you catch it square, it doesn't seem like you feel it as much.

I like to go off the other actors in the scene, which kind of stinks when you're acting with someone who's not that great.

When I watch a film, I watch it as an audience instead of thinking as an actor or an intellectual. I see whether it made me laugh, get involved or shocked me at certain points. Something has to stir inside me.

It's about polarization. You're trying to stir up something in your audience.