Quotes About Inspiration

You can get somebody to dance and make them jump in the club, but your feet gonna get tired. So when you put it in somebody's heart, it stick with 'em. That's what I come with it. And I can make your feet dance, too. I think that's what separates me from a lot of artists.

There's no separation anymore between who I am and what I create.

'School of Rock' was just once in a lifetime things; I want to be a doctor, actually. I'd go an do the sequel if they asked me to.

I would never want to take on a sequel of someone else's stuff unless I was totally reinventing it.

There should be a sequel to 'Sarfarosh'. It was a different film.

Believe me, sequels are just as hard to make as original films.

I want to help children in Serbia and around the world so they can realize their dreams.

I remember coming second in a cross-country run and this sergeant major ripped in to me, saying 'you knacker, you waster - you should be second to no one.' That really got to me.

We write not only for children but also for their parents. They, too, are serious children.

I write all my sermons.

The best sermons are those that are lived.

As a kid, sometimes you have nobody to turn to. I could always go back to some of the sermons and talk to myself in a righteous manner and put that in a song.

Sometimes I go back and listen to the very first day I went to church. I listen to that sermon all the time, because that was the sermon that was life changing for me.

You'll see me at my best is when I'm hopefully serving as a father to someone.

I give my heart in every single session I've done, and I get into the music. I love all kinds of music, and I try and really be as authentic as possible and give from my heart.

There are artists that actually don't like going into the studio. They get mad when people say they've got a session. I'm just the opposite. I actually enjoy it.

When it's going tough in a session I have a little think about why I'm doing it, what I'm getting up for and why I'm putting myself through it.

Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we're from the same area so we have a lot in common.

I would rather be on the set than doing anything.

Everyone has setbacks. I'm no different. I happen to have no legs. That's pretty much the fact.

Nobody sets out to make a bad record.

It's not something someone sets out to do - I never really set out to make movies about strong fighting women, but it just seems to happen that way. I've certainly known some, and I think my sister was probably a big influence.

I went to art school first and thought that I'm going to design theater sets. That was my path.

I've been lucky to be educated by watching the old and the great movies, working with good filmmakers, and being educated on sets.