Quotes About Inspiration

My daughter has probably gotten some benefit of being inspired by a woman who is willing to take on things. We travel. We travel to exotic places. I'm the first person to jump in the ocean with a whale. Even if I'm scared, I'll do it anyway, because I never wanted her to see fear, especially when she was younger.

Filmmaking has been my love since my mother brought me to see James Whale's 'Frankenstein' at the local library at the age of six.

You watch 'Whale Rider,' and I defy you to not get teary-eyed at the end there.

I love 'Whale Rider.' That's one of my favorite films of all time.

Fundamentally, the way I work is exactly the same whether I'm making 'Whale Rider' or 'Mulan'. And those two stories are somewhat similar. They have interesting parallels, and it felt like I'd really come full circle, back to a story of leadership.

I got the idea for 'Throne of Glass' when I was sixteen. Music always inspires my books, and when I was listening to the 'Cinderella' soundtrack, I thought, 'What if Cinderella was actually an assassin who liked getting dressed up all pretty and going to the ball, but then she wouldn't mind kicking butt?'

I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'

I know what it felt like to walk into school and have kids say, 'Mr. Spangler's here!' And I thought, what if I gave that power to a parent so the kid looks at them and says, 'Dad, let's make a smoke ring launcher in the garage today.' What parent doesn't want to be a rock star?

One day, the people who work in my kitchen stir-fried chopped Napa cabbage to serve with some meat or fish for their own dinner. I got to thinking: 'What if the cabbage was the most important thing on the plate?'

At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.

'Ice Cold' is the eighth in my 'Rizzoli and Isles' thriller series. It was inspired by a true occurrence in the 1960s, now known as the 'Dugway Incident,' in which 6,000 sheep mysteriously died overnight in a remote area of Utah. I thought, 'What if it happened instead to people? What if the inhabitants of an entire village vanished overnight?'

I don't actually have a one wellspring of inspiration. Though I'm most often inspired while reading - both fiction and nonfiction. I subscribe to National Geographic, Scientific American, Discover, and a slew of other magazines. And it is while reading articles for pleasure and interest that an interesting 'What if?' will pop into my head.

Some authors, when starting a novel, imagine a place first. Others, a character starts taking shape in their head. I start with a hook, a situation, a 'what if.'

The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.

I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.

I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.

My first novel, 'The Lions of Lucerne,' just poured out of me. It was an amazing feeling of accomplishment. My biggest fear and therefore my biggest obstacle to becoming an author had been, 'What if I spend all that time and the book is no good?'

I always feel trepidation at the beginning of every project. I worry about so many things. Time to get it right, the skill to do it justice, the will to finish. I also worry about more mundane things, like what if my computer crashes and I've forgotten to back up the manuscript?

My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.

In the summer of 2012 - and we do as we do when we get together to brainstorm an idea - we were both probably eating grilled cheese and watching 'Oprah's Favorite Things,' so it will never end, and we both brought a few things to the table of what we wanted our next project to be. And Jessica said, 'What if we raised a baby together?'

There are two questions that you ask yourself as a writer, and one of them is, 'But why?' The question that takes the book forward is, 'What if? What if x y or z happened? How would those characters react?'

In the past, I used to rely on the randomness of working with samples, which was a good way because it threw you in a completely different direction. You just thought, 'What if I take this samba drum and combined it with an '80s synth line or something from this record?'

I thought, 'Let's make it a check list. What if I got my education even though I lost my mother, even though my dad is in a shelter?' and looking at these things as hurdles to go over. I could inspire myself.

I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?