Quotes About Inspiration

Me, I was waiting tables of 13 and married at 19. I graduated from public schools, and taught elementary school.

I was waiting for the world to change. I'm no longer waiting; I'm part of that movement. I think our role as performers and entertainers is so much bigger.

I'm sure there are talented Arab fighters out there waiting to be discovered.

It was like there was a pile of kindling that was in the back of my imagination just waiting there. Once I lit it, it just flared up and I kept getting ideas and ideas.

For hundreds of years people have talked about artists having inspiration, but often, some persons would say, write us a symphony or write us a song, on commission. The artists would come up with a masterpiece without waiting to have their muse inspire them.

I wasn't the kind of person that liked waiting for autographs or following them, I just liked to go to the shows, study their records, driving many, many hours to different states to go to concerts.

Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.

So, the combination of looking at lots of different people and how they react to each other and how they relate to each other and waiting for that inspiration is the thing that allows me to keep writing.

For me, the best places to write are on planes, trains and at airports. Not hotel rooms but hotel lobbies. I'm really happy when I'm waiting for a plane and the message comes that it's three hours late. Great, I'll get to write!

I skipped school one day to see Dizzy Gillespie, and that's where I met Coltrane. Coltrane and Jimmy Heath just joined the band, and I brought my trumpet, and he was sitting at the piano downstairs waiting to join Dizzy's band. He had his saxophone across his lap, and he looked at me and he said, 'You want to play?'

The songwriting was almost like something I did while I was waiting for my daughter to come back.

When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.

People make me key chains... someone attached a Dauntless symbol to a silver pen. That one is what I use to sign books. I use that a lot. I like to keep them around because they remind me that people are waiting for these books and that they really love them. It gives me motivation in those times when I'm not feeling very motivated.

I'd do a demo recording by myself, layering instruments on top of one another, and while that's fun, it doesn't have the same impact as getting some great players together in a great studio with a great engineer and producer, then waiting for the magic.

You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.

When I was 14, I saw 'Waiting for Godot.' It's one of those plays that if it's done badly is absolutely dire and can put you off acting for life. But I was laughing all the way through it.

Did I become a theater person right then, sitting in the Imperial Theater, waiting for the high piccolo note at the start of 'Pippin'? Maybe.

There is a plethora of topics to explore. I sometimes think I may never live long enough to explore all of the unique story lines I have either in my head or waiting in my computer file.

Acting is my first love. There are still so many characters inside of me that are waiting to come out.

The thing with making your art your business is: It's a business. You can't sit around waiting for the muse, especially when you run a show, and you're in production, and an outline is due, a script is due, and a reshoot is due. No. You look at the calendar, and you go, 'OK. I can write from 4 to 6.' So you write.

I had a brother who was bullying me to write something because we wanted to make our own movies. So it was out of necessity in the beginning. Over time, I began to see that I could create the roles I wanted to play rather than just waiting around.

The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead - no defile that has no outlet - it forgets that there is such a thing as failure in the world and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.

Being honest about being bullied in school and my bipolar was not so much of a 'do I or don't I?'; it was waiting for the right time. Even before I knew what making a mark on the world meant, I knew I wanted to make a difference.

I would come home after school and begin to create videos, because there was people waiting to see new content from me.