Quotes About Inspiration

Milan Kundera was my literature professor. He's a Francophile, so he made us read French novels like 'Les Liaisons Dangereuses,' which I made a version of many years later as 'Valmont.'

I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.

My version of a good role model is everything that I have strived to become over the years, as I have a deep desire to live an honest life and give relentlessly and openly to people who look up to me.

What about that Dave Brubeck live album, with a version of 'Like Someone in Love' on it, and long sax solos by Paul Desmond? That's what got me hooked on jazz.

I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.

I made a clean version of 'Enter the Ninja' that my mom can listen to.

There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: 'Maybe I'll make my own version of that track or maybe I'll do this or that.'

Being teased and losing my self value eventually ended up inspiring me to be a better version of myself.

I've had lots of ideas. For example, I had the idea of making a small version of the Vatican's dome. I also got ideas from medieval castles - I've mixed medieval castles with the Romanesque style.

Man, my little boy wanted to hear some new music. So it was like, I can't just play all my music around him, so I got to go ahead and make a whole project so I can get it clean, and have a clean version of all the songs just so he can listen to my music, you feel me?

I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.

Tully was the first young, handsome, cocky, well-dressed bad guy. He was our version of Ric Flair before I knew who Ric Flair was. This was before cable TV or any of that, and Tully was our Ric Flair.

When the TV version of Annie came on, I was drawn to it. It was the struggle of this poor kid in this environment and how her life changed. It immediately resonated.

When I and the other young artists were working in comics, our work carried with it a particularly American slant. After all, we were Americans drawing and writing about things that touched us. As it turned out, the early work was, you might say, a comic book version of Jazz.

I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.

So I did 'Something Happened on the Way to Heaven' and the original version is a ballad. The original Phil record is uptempo but we slowed it down and made it a ballad.

Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.

There's a lot of integrity with musicians; you really still aspire to grow, and be great, to be the best version of yourself you can be.

I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.

I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.

Nothing wrong with making money or doing what you need to do to sell, but I think it shows when you're writing something to pay the bills and when you're writing something because it's really your version of the world.

You need someone who is going to help you make that better version of yourself.

I was doing a play out in L.A. 20-some-odd years ago called 'Goose and Tomtom' by David Rabe, and somebody saw it and the next thing I know I'm doing the table read of the film version of 'Glengarry Glen Ross' with Al Pacino and Jack Lemmon - one of the great films of our generation.

One of the first serious attempts I made to write a novel was when I was in Grade 6 and I had read 'Matilda.' I wrote my own version and my teacher had it bound and permitted me to read it to the class - cementing my love of reading, writing and Roald Dahl!