Quotes About Intensity

This is blasphemy!" Odalon declared in the same way Gerard Butler had once roared "This is Sparta." Sadly, Odalon had nobody to kick into a bottomless hole for emphasis, so he settled for looking extremely put out.

He gave an impression of coiled power, a contained violence that if released, would explode with terrifying intensity.

One day I'll kill him, you know. I glanced at her. She was deadly serious.

We have to stop anyway. I don't want you to regret this later. And I don't want your head to explode. Really? You're so good that my head would explode? It took him a moment. His expression changed from intense to speculative. It's a possibility. I'm not a doctor, but Doolittle says it could happen. That's a lot of expectation to live up to. I exceed expectations. So modest, too.

It was his eyes. When you looked into them, you saw chained violence baring teeth and claws back at you.

A man had no right to be this fiercely sexual without even trying.

You don't do subtle. Your subtle is pulling a kick so you don't kill a man with it, just break his bones.

Kissing me won't make me more agreeable, she whispered. I'm not trying to make you more agreeable. His voice was rough and low. I just can't help myself.

He said that the man must be your husband, because only someone we love very much can make us this crazy.

It's a lovely day and we're under siege. People are trying to murder us." Her eyes shone with excitement. "Isn't it marvelous?

You enjoyed it. It made you feel alive. You were looking kind of green. You bastard. Oh, so it was a lifesaving kiss. Well, if you want to put it that way ...

He smiled at me. It was the kind of smile that blazed a trail from your heart to your mind and popped into your head the next time you wondered why you put up with a man who made you want to punch things.

He looked like he could pick up a fifty-pound rucksack, run across the city with it, and then beat an ungodly number of enemies to a bloody pulp with his bare hands while things exploded dramatically in the background.

You'll always be a bastard. There is a part of you that enjoys kicking the door in and throwing a severed head on the table.

Baby, you're not the tantrum type. You are the scary-smile-and-stabbing type.

I really like coming-of-age dramas. It's probably the most intense period in anyone's life, those years before you become an adult. Dramatically, there's so much to explore there. And it's nice to be around young talent coming through.

My own approach has always been to push intense emotions down and attempt to deal with them later. When I was younger, I was terrified to express anger because it would often kick-start a horrible reaction in the men in my life.

I spent lunchtime in a grave during the filming of 'Bloody Mama.' When you're younger, you feel that's what you need to do to help you stay in character. When you get older, you become more confident and less intense about it - and you can achieve the same effect.

My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.

To understand the intensity of driving an F1 car, you have to be in it. When you're driving a 750hp machine at 200mph, the noise and the vibrations are incredible. The G-force when you take big corners is like someone trying to rip your head off. You hit the brakes, and it feels as if the skin is being pulled off your body.

Body language is essential for an actress, even if you don't use your body in an athletic way. Just to be free, to use it like your voice. A body can be small and have incredible violence. A body talks.

I danced so intensely, I learned the hard way that sometimes you can push your body too far.

Out there in the spotlight you're a million miles away and every ounce of energy you try to give away as the sweat pours out your body like the music that you play.

Running strips you and works your core, mixing it up with different exercises so your body doesn't get used to one thing, so you can really get intense with your workout. I never like to stick to one thing; otherwise, you don't really see that many results.