Quotes About Writer

And you with your computer, as if you need to remind your imaginary audience that you're a writer when we (I) know what you truly are: a performer, an exhibitionist.

At the counter, a different waitress flirts with an aspiring writer who's probably been trying to fuck her and finish his screenplay for months. He asks for a side of guac and she tells him that it's two dollars extra. That's how it works here. The guy who deserves free guac doesn't get free guac.

The bondage of the Negro brought captive from Africa is one of the greatest dramas in history, and the writer who merely sees in that ordeal something to approve or condemn fails to understand the evolution of the human race.

From the beginning, Scholem made clear that Kabbalah is a writer's mysticism.

In reality, Hemingway didn't appeal to plumbers or roofers who read books; he was a rich man's writer, with the vocabulary and hunting instinct of the blue-collar workingman. But Hemingway had the unfailing genius of an inventor, and each book he wrote was new, sparkling new, something that hadn't been seen in American prose, something that merged common speech with uncommon clarity, something that verged on poetry. 

A writer who takes up journalism abandons the slow tempo of literature for a faster one and the change will do him harm. By degrees the flippancy of journalism will become a habit and the pleasure of being paid on the nail and more especially of being praised on the nail, grow indispensable.

A confessional passage has probably never been written that didn't stink a little bit of the writer's pride in having given up his pride.

Writing: I certainly do rewrite my central myth in every book, and would never read or trust any writer who did not also do so.

If we try to envisage an 'average Canadian writer' we can see him living near a campus, teaching at least part-time at university level, mingling too much for his work's good with academics, doing as much writing as he can for the CBC, and always hoping for a Canada Council Fellowship.

The writer is committed when he plunges to the very depths of himself with the intent to disclose, not his individuality, but his person in the complex society that conditions and supports him.

When you're a writer, you no longer see things with the freshness of the normal person. There are always two figures that work inside you, and if you are at all intelligent you realize that you have lost something. But I think there has always been this dichotomy in a real writer. He wants to be terribly human, and he responds emotionally, but at the same time there's this cold observer who cannot cry.

The obscurity of a writer is generally in proportion to his incapacity.

Self-expression is for babies and seals, where it can be charming. A writer's business is to affect the reader.

Talent alone cannot make a writer. There must be a man behind the book.

The writer is always to some extent in exile, wherever he is, because he is somehow outside, separated from others; there is always a distance.

A writer is without honor only in his or her own home, among his or her own family.

He showed me that words can do more than tell stories, they can heal, and as long as you live inside the dignity of what you write, no one can take that away that what matters most. Those who hate you can kill you, but they cannot destroy you or the ideals that matter to you. To be decent writer you had to give yourself over to the power of words and a love of storytelling. (203)

A scene should be selected by the writer for haunted-ness-of-mind interest. If you're not haunted by something, as by a dream, a vision, or a memory, which are involuntary, you're not interested or even involved.

I was amazed by the fact that I was not the only writer living, not the only young man with a locomotive in his chest, and that's a fact, not the only youth with a million hungers and not one of them appeasable, not the only one who is lonely among multitudes, and does not know why.

There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.

When a crime writer thinks up a delicious twist, it is a great moment. Time to relax and take the rest of the day off. I do think that it can be overdone, however.

Twitter is the most amazing medium for a comedy writer. I can't get in every idea I want on the show no matter how hard I try to bully the other writers, so it's a way of me getting out other comic ideas and immediately getting feedback.

A number of people have read 'Two-Way Split' and made certain assumptions about what the author's like, and I'm highly disappointing to them. I don't drink, I don't eat meat; that's very disappointing for a hard-boiled writer.

I'm drawn to the classic antihero, the guy who's probably made a bunch of mistakes and really has the capacity to go either way. That's the most interesting type of character for me to watch, to see what decisions they'll make. There's a lot of gray area there for a writer to explore.