Quotes About Culture

The minute we became a global society, especially now that we're all connected up with the Internet, people wanted to believe in something a little more interesting than their earthbound lives.

I never wanted to change countries; it's something that is part of me.

Everything was happening on that strip of Fulton Street. And if I wanted Chinese food, if I wanted to play video games, if I wanted pizza, if I had to go to the corner story for a juice, I had to go on Fulton Street.

All I wanted with that film was to represent the possibility that there might be normal people who are Muslim or Arab with the same fears, responsibilities, hopes.

I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning.

In a general sense, I think it's bad to bring too much money into climbing, since it takes away a little from the beauty of the mountains. But at the same time, I can't blame the Nepali government - or the Indian, Pakistani or Chinese, depending on where you're climbing - from wanting to capitalize on foreign climbers.

People from all over the world come to London wanting to make their own mark on it, and they add to the energy and vitality of the capital. It's got a bit busier since the '60s, but the more the merrier!

For me, understanding your heritage and wanting to leave a legacy was always important to me.

I'm perfectly fine with the fact that lots of young folks are wanting to watch anime and read manga. I'm perfectly happy that they are doing things online, reading there as opposed to traditional print magazines.

I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.

The evangelical movement has become just a bit victimized by a success-oriented culture, wanting the church - like the corporation - to be successful.

I've been wanting to do a book about baseball for the longest time, and nobody will let me do it. It's the one thing from America I really miss.

There was a big thing in the Behan family of achieving and wanting to be something special. There was a big drive in the family, even though it was poor and working class, to do something important, to contribute something to Irish culture. He certainly achieved that in a spectacular way.

The Indians seemed to be living in a place and in a way that was of immense importance to me. So I associate learning to read - English, oddly enough - with wanting to know about Indians. I'm still growing into it. I've never outgrown that.

I'm a '90s kid, so I went into the entire album process wanting to incorporate little touches of that sound from hip-hop and R&B. Just enough to where you hear it subtly and then go, 'This kind of reminds me of that time.'

In English, I'm a little bit limited. I speak English as a second language, and that's a little limitation that I have to work around and I have to use it to my favor. So, yes, that's why I end up wanting to do more things in Latin America.

While also, importantly, not wanting to dumb it down or pretend the days of 'difficult' poetry are over, because we live in a pluralist culture and there's room for 'difficult' poetry alongside rap and everything else. And poetry won't be for everyone, but everyone should have the choice.

I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.

I feel like this whole idea of wanting something that you don't really have is also very American in a way.

I made some flippant remark about not wanting my son to grow up with an American accent, and the next thing I knew, there were people in America suggesting I head back to Britain if I was unhappy at such a prospect.

In my family and among Korean-Americans, there just is no occasion that people would get together without bibimbap. It's something that people eat when they're wanting to celebrate or have a good time with friends.

I wasn't born Austrian; I wasn't born German. My roots are from Africa, and I do not have any reason for not wanting to celebrate that. Every time that I can, I like to kind of mention it, you know, just to keep people sort of knowing exactly what's going on. My French is pretty good, but I'm still African, thank you very much.

I feel that Italy's a country that's constantly looking out and constantly following what's happening in other cultural centers. What is being written in America, what is being published in England, what is being published in France. It's a culture that's always wanting to absorb and inform itself of other works, other writers, etc., etc.

I've been wanting for a long time to create a show which allowed me to show the British Asian community in a truly three-dimensional way, exploring the relationships between generations and what it means to be British and Asian as values become fluid.