Quotes About Culture

We are fascinated by Ramses as Renaissance Christians were by the American Indians, those (human?) beings who had never known the word of Christ.

We are all transsexuals, just as we are biological mutants in potentia. This is not a biological issue, however: we are all transsexuals symbolically.

The politics that enter the university are those that come from history, a retro politics, emptied of substance and legalized in their superficial exercise.

Belli bir doneme ait filmler yeni bicimleriyle yeni bicimleriyle yeniden gundeme getirilmeye calisilmaktadir. Oysa bu iki film tipi arasindaki fark, gercek insanla ona benzeyen otomat arasindaki farki gibidir. | 75

One thing protects us from change: exile. In unreality or at the other end of the world, in melancholy or the South, exile is a marvellous and comfortable structure. Only the exiled have a land. I know some people who are only close to their country when they are 10,000 kilometres away, driven out by their own brothers. The others are nomads chasing their shadows in the deserts of culture.

Every year, I verify here, alongside the intelligence of the mineral world and the animal kingdom, the proportional stupidity of the human race - the deculturated peasants and acculturated tourists, arrogant adults and children with their pretentious technical gadgetry and senseless chatter. All the other species are more docile and spiritual in their silence than this one.

Tukenmeye baslayan bir politika dunyasiyla birlikte Cumhurbaskanlari, ilkel toplumlarda bir iktidar kuklasindan baska bir sey olmayan kabile seflerine benzemektedirler.

All our current media concerns have in French the suffix '-aire': identitaire (issues of identity), sanitaire (health concerns), securitaire ('law and order'), humanitaire (humanitarianism). The whole lot being publicitaire (promotional). There is in this suffix something which quite aptly characterizes our culture as funerarium of received ideas and single-track thinking.

Gut reaction against yobbery, the masses and solid Frenchness. But an equally visceral distaste for the elite, for castes, culture and the nomenklatura. Do we have to choose between the moronic masses and the arrogant privileged classes (particularly when they have an odour of demagogic humility about them)? No solution.

Twins were deified, and sacrificed, in a more savage culture: hypersimilitude was equivalent to the murder of the original, and thus to a pure non-meaning.

In order for ethnology to live, its object must die; by dying, the object takes its revenge for being 'discovered' and with its death defies the science that wants to grasp it.

The cultural greenhouse effect: the toxic cloud caused by emissions from millions of museums, galleries, festivals, conferences and symposiums is much more catastrophic than the disappearance of the ozone layer. The asphyxia caused by the activity of thousands of creative brains damages the quality of life more certainly than all the world's industrial pollution. And if no Tokyo Congress has yet managed to control technological pollution, what body could put a brake on cultural nuisance?

The stupidity of all commercial or cultural anti- Americanism. As if Americanism did not run through every society, every nation, and every individual today, like modernity itself.

In dealing with the epidemic of visibility menacing our entire culture today, we must, as Nietzsche quite correctly said, cultivate mendacious and deceptive clear-sightedness.

For people of a certain age in this country, culture comes free of charge. It is thought they are too old to misuse it.

e, assim como as sociedades primitivas foram devastadas pela explosão por não terem sabido controlar durante mais tempo o processo implosivo, assim nossas culturas começam a ser devastadas pela implosão por não terem sabido controlar e equilibrar o processo explosivo.

Beaubourg illustrates very well that an order of simulacra only establishes itself on the alibi of the previous order. Here, a cadaver all in flux and surface connections gives itself as content a traditional culture of depth. An order of prior simulacra (that of meaning) furnishes the empty substance of a subsequent order, which, itself, no longer even knows the distinction between signifier and signified, nor between form and content.

It has never been so clear that the content-- here, culture, elsewhere, information or commodities-- is nothing but the phantom support for the operation of the medium itself, whose function is always to induce mass, to produce a homogeneous human and mental flux. An immense to-and-fro movement similar to that of suburban commuters, absorbed and ejected at fixed times by their workplace.

Cultures, taken in themselves, are not moving towards each other. Or, if they are, they are doing so as slowly as tectonic plates. The dream of reconciling them all one day is an absurdity. From the point of view of the universal, which is our point of view, they can only be exterminated - including our own. The space left for any culture by Western un-culture can only be that of le mort (the dead man, but also the 'dummy' at cards).

Japanese culture is thus a cannibalistic form - assimilating, absorbing, aping, devouring. Afro-Brazilian culture is also a rather good example of cannibalism in this sense: it too devours white modern culture, and it too is seductive in character. Cannibalism must indeed always be merely an extreme form of the relationship to the other, and this includes cannibalism in the relationship of love. Cannibalism is a radical form of hospitality.

Culture contradicts all genetic capital. It is the touch of magic, the special touch which contradicts biology, heredity, etc. and condenses a whole dynasty into one generation. What cannot be obtained in a single generation is ease and courage. Mutants are cowards.

But when everything is repressed, nothing is anymore.

Might one suggest to the people that they storm the opera house and tear it down on the symbolic date of 14 July? Might one suggest that they parade the bloody heads of our modern cultural governors on the end of pikestaffs? But we no longer make history. We have become reconciled with it and protect it like an endangered masterpiece. Times have changed.

Bir baÅŸka deyiÅŸle kitlelerin Beaubourg'a koÅŸmalar?n?n nedeni yüzlerce y?ld?r kendilerini yoran, b?kt?ran bu kültür kar??s?nda salya ak?tmak deÄŸil, her zaman nefret etmiÅŸ olduklar? bir kültürün yas?n? tutma f?rsat?n? kitle hâlinde ilk kez ellerine geçirmiÅŸ olmalar?d?r.