Quotes About Culture

It was just an honor for me to be doing the role of Miguel because I identify with him. I grew up watching Disney movies, and 'Coco' shows a wonderful tradition, culture, and celebration that not many movies have shown.

I don't think I miss anything by not watching television.

I grew up in South Africa without a television; there was no television, and the year after I left, television arrived in South Africa, so I have never really acquired a taste for watching television.

I learned how to speak English watching television.

I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.

If you wanted to make a film about British teenagers, it would be... well, it wouldn't interest me; let's put it like that. They'd be listening to music I hate, watching TV all the time, and talking about 'Big Brother.'

In 'National Geographic,' you always saw pictures of tribal Africa. And here I am, sitting in Nairobi in our suburban house, watching TV and thinking, 'Why is it always going to be these tribal people 'that are the ambassadors of our image?

That's what I did growing up. Other than being on the computer, I was watching TV and movies. I make no apologies.

Watching TV is the most popular leisure activity in Britain. I find that very depressing.

When your culture comes from watching TV every day, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities. None of that happened where I was. You're almost taught to realize it's not for you.

Everyone learns how to assimilate through watching television. Everyone thinks America is going to be like Hollywood, and when they get here they keep watching TV to find out how to be.

In my family, there was no celebration of ignorance. They'd come and see Chekhov or Shakespeare. I've got a sister who got a first in her degree. We don't sit around watching TV all the time.

I don't think there is a national pasttime. Watching TV is a national pasttime. Really. If there is a national pasttime, it is watching TV.

It's hard for me to accept the argument that millennials are not watching TV. I'm not one to believe that our culture of TV consumption is changing dramatically. It's just how we consume and where we consume it that's changing.

One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.

Indeed, the hype around 'Watchmen' is its curse. If you want to enjoy the comic for what it is, ignore the attributions of literariness and the novelistic pretensions with which some critics have imbued it. This isn't high culture, and it doesn't pretend to be. It's good, juicy pulp fiction with a little nuclear apocalypse thrown in.

Water is ultimately a finite resource. With all finite resources, there is a continuous need for sustainable and equitable management, by capping demand, improving efficiencies in supply and developing substitutes. This exercise is complicated by the sociocultural beliefs, values and affinities around this precious resource.

For drink, there was beer which was very strong when not mingled with water, but was agreeable to those who were used to it. They drank this with a reed, out of the vessel that held the beer, upon which they saw the barley swim.

The ocean is so powerful and so healing at the same time. It's kind of like a sanctuary. And the culture of the people in surfing, I love that. It's such a community. It's just got this, like, chill way about it. When you're in the water, it's very inclusive.

Everywhere I go, every city, they're always like, 'What's in the water in Canada? What's in the water in Toronto?'

When you hit the Midwest... it's just some passion - I don't know if it's in the water or what it is - but it's just embedded in these kids.

Prior to Katrina, the South Bronx and New Orleans' Ninth Ward had a lot in common. Both were largely populated by poor people of color, both hotbeds of cultural innovation: think hip-hop and jazz. Both are waterfront communities that host both industries and residents in close proximity of one another.

In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened; everything in America was being questioned.

I suppose in London they all drink from the same watering holes.