Quotes About Nostalgia

No matter where I've been or where I go, a piece of Missouri is always with me because this is where I'm from and where I grew up.

I've always wanted to do a period piece.

Growing up, Guess always had these amazing billboards and cool affordable clothing. I wore it then, and I still wear it now! It's come full-circle. When I design the clothes, I have a very good team around me, showing me different pieces and cuts.

It's deliberate that a lot of my films have been period pieces.

I like to mix pieces in my art direction from the '60s or the '40s and the '90s and present-day stuff. To me, that feels very real. When I go into people's houses, it's not all today.

Everybody who worked in film misses holding pieces of film, holding it up to the light, and seeing exactly where something was image-wise.

My favourite finds are often antique pieces with a history.

I guess I've always been really attracted to period pieces and always felt visually I was probably more made for the '50s or the early '60s than I am for a modern day.

I luckily had a very charming, lovable mom who I think everybody could see bits and pieces of their mom in.

It's very likely that graduates, current employees and retirees have some wonderful pieces of Deer Park history in their closets or garages.

There are certain pieces of music that are always attached to certain books.

I started buying bits of broken porcelain. I furnished our first flat with pieces of 'junk.' Some of that 'junk' is now worth an awful lot of money. What I was calling 'junk' in the '60s people wouldn't call 'junk' now.

I grew up on the Bond movies. The first one I saw was 'Diamonds Are Forever,' when I was a kid. I just loved them to pieces.

The 'Carousel' overture has always been one of my all-time favorite pieces of music.

My favorite pieces that I've written, either for St. Lucia or for myself, have always had a transporting quality to them, where they take you out of the moment and somewhere positive that feels nostalgic and happy but sad at the same time.

I really love period pieces.

I love beautiful black-and-white movies - anything Bette Davis, especially 'Now', 'Voyager', 'Casablanca', 'Mildred Pierce'; anything by Orson Welles, Truffaut, or Godard; and 'Paper Moon' by Peter Bogdanovich.

I pile up the press clippings and send them off to my mother. She's got a scrapbook going back to when I was, like, eight years old.

I'm one of those people at the airport holding a pillow like a little kid.

I built a fort when I was little, with pillows and blankets.

She glances at the photo, and the pilot light of memory flickers in her eyes.

Before we shot the pilot, I knew what 'Dallas' was, but I actually was too young to remember the details of the show. I didn't have my hands on the DVDs, so I YouTubed everything I could of J.R.

Kids know me from their Grease DVD, so they instantly respond. You can hear a pin drop when I do my old songs.

I like being a pin-up girl. There's nothing wrong with it.