Quotes About Broadway

For two consecutive Broadway seasons, I had probably the best juvenile roles there were for an actor. Then I moved to California to recreate my role in the film version of 'Tribute.' I started working in film and television after that, and 38 years blew by!

I did my first Broadway play, 'The Vertical Hour,' in 2006, with Julianne Moore, who's always been one of my favorite actresses. My scene was with her, so it was nerve-racking.

I am very much looking forward to new adventures - including, I hope, Broadway - sooner rather than later.

At a very early age I knew I wanted to be an actor and then more specifically that I wanted to be on Broadway and be in musicals.

In a Broadway musical, a scene sometimes breaks into a song and vice versa.

I grew up here in New York City and New Jersey, performing on Broadway shows, surrounded by some of my closest friends from the LGBT community. My father, a minister from New Jersey, shaped my view that love is love, that we are all equal.

I made my drama teacher cry. I only took drama to get out of writing papers in English and the teacher was this thespian Broadway geek and here I was this Italian guy from Staten Island and I would put her in tears.

Well, I know what I want to be too," she told her parents. "An actress on Broadway." "Caroline, you're always onstage, twenty-four hours a day," said her father. "You can't even tie your shoes without making a production of it." Caroline wasn't sure if that was a compliment or not.

Every night, half an hour before curtain up, the bells of St. Malachy's, the Actors' Chapel on New York's 49th Street, peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast, enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.

What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.

It takes a damn village to get a show on Broadway!

When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.

He wanted desperately to be an actor. The pursuit of fame and fortune far outweighed his ability to experience joy. He thought he could be acceptable and worthwhile only if he had fame. I taught him to love and accept himself, and he got well. He is now grown up and appears on Broadway with regularity. As he learned to experience the joy of being himself, the parts in plays opened up for him.

There's nothing that can match Broadway for stature and dignity.

Helen Lawson: They drummed you out of Hollywood, so you come crawling back to Broadway. But Broadway doesn't go for booze and dope. Now get out of my way, I've got a man waiting for me.

They drummed you out of Hollywood, so you come crawling back to Broadway. But Broadway doesn't go for booze and dope. Now get out of my way, I've got a man waiting for me.

The first Broadway show I ever heard was the recording of 'Carousel', and it was a very vivid experience.

The General Motors Building, erected the year before on the trapezoidal block bounded by Broadway and Eighth Avenue between Fifty-seventh and Fifty-eighth Streets, however, was an important commission for them, one that won them a secure place in architectural history.

I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.

On October 23, 1963, Barefoot in the Park opened on Broadway. Just before his extremely nervous cast took the stage, Nichols gathered them for a final pep talk. "Everybody relax," Redford says he told them. "You know your positions, you know your laughs, you know your lines, you know where the comfort zones are. So enjoy yourselves, and remember: Everything depends on tonight.

When we got off the streetcar at Times Square, it was somewhat of a letdown. Newspapers were blowing about the road and pavement, and Broadway looked seedy, like a slovenly woman just out of bed.

I don't think just funny is enough on Broadway.

I want to be in 'Funny Girl.' And I want Ryan Murphy to direct it.

I was, like, this token teen angst child of Broadway. It's so funny. What is that? I don't even know. But I loved it.