Quotes About Frank Miller

It was said Daredevil grew up in Hell's Kitchen, an amazing name for a neighbourhood. But that opened a Pandora's box of all the crime stuff I wanted to do. I borrowed liberally from Will Eisner's 'The Spirit' and turned 'Daredevil' into a crime comic.

But I'm not trying to convince anybody how to vote or how to live. Nobody's ever successfully accused me of being realistic.

The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird.

I was into Alan Moore and Frank Miller. I was a teenager when all those books where coming out for the first time - 'Watchmen,' 'V for Vendetta.' It was a great time to get into comics.

The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers.

I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.

There were so many amazing comic books. Like I was around for the original Frank Miller/Chris Claremont 'Wolverine' miniseries.

Nancy's got a guardian angel. Seven feet plus of muscle and mayhem that goes by the name of Marv.

Buddy, I don't mean to poke my nose in where it don't belong, but that there is a dame to kill for. Why'd you let her go?

When you think of what Americans accomplished, building these amazing cities and all the good it's done in the world, it's kind of disheartening to hear so much hatred of America, not just from abroad, but internally.

The Batman that I loved growing up, the thing that Frank Miller did in 'The Dark Knight Returns,' is that he's so vulnerable and mortal in his 50s. That book was the first time I saw Batman as being really layered, human, and suffering, and worried that he wouldn't achieve what he wanted to achieve. Seeing him being obsessed and pathological.

It was said Daredevil grew up in Hell's Kitchen, an amazing name for a neighbourhood. But that opened a Pandora's box of all the crime stuff I wanted to do. I borrowed liberally from Will Eisner's 'The Spirit' and turned 'Daredevil' into a crime comic.

I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.

I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.

You don't get it boy... this isn't a mudhole... its an operating table. (KRAKKKKK) And I'm the surgeon.

I was a huge fan of comics: not necessarily 'Luke Cage.' I was more of an 'X-Men' head. I was always more Chris Claremont, Frank Miller, John Byrne.

Like everyone else, I love 'Born Again:' that was a seminal work for me. Everything Frank Miller did on 'Daredevil' is like the Bible.

'Daredevil' is haunted by Frank Miller, from the standpoint of the Frank Miller run on 'Daredevil' is so insurmountable.

Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.