Quotes About Passion

I have an obsession with details and pattern.

I think we were all honestly very surprised at how the car community took it all and how often it is that people will walk up to me and tell me 'your brother's the reason I'm into cars.' I didn't have a grasp of that. And I know Paul didn't.

My first record I owned was by Les Paul.

It's fun, but the fun is where it always was. I mean, it's still fun to strap on my Les Paul in the basement and turn up the Marshall amp. I'm still 15. I still enjoy that as much as I ever did.

I was in love with Paul Butterfield.

James Blake, Jai Paul, Totally Enormous Extinct Dinosaurs, Sohn, Kwabs, Sampha, Lil Silva, and Brandy, always. They all have soul. Deep soul.

I look back on the early days of Free with Paul Kossoff with the most fondness of any of my bands, because I met him at a time when I was in London and very hungry, and we believed in each other.

There are more Pacer fans than Paul George fans.

I love Paul Pogba.

I grew up on Julia Child, Paul Prudhomme, Sara Moulton - and obviously, Emeril's first show had a huge impact on my life.

My dad loved Les Paul, and I wanted to be just like that.

Paul was very much a purist, the real car guy.

I have about 10 or 12 guitars, some of which are in non-standard tunings. Mostly I play a clone of my 59 Les Paul. Gibson made that for me when I first got mine, and I take that on the road. Its really great.

Paul McCartney has always been the love of my life.

Dance was something I'd just done at my youth club, and I used to teach dance when I was 14 to 19, 20 years old. I had my own dance group, and then I got more into the acting stuff, and I started doing things for TV. And then I put that on pause, because I really wanted to focus on my real passion, which is music.

I kind of press pause when it's a derby, and the season doesn't matter to me anymore; it's all about the derby.

I know someone might look at a creative person's job and think it's pretty fun. It is. It's the best thing in the world, but it's also extremely challenging to carve out your own completely unique path and not following a default path that someone else has already paved.

I was real into Devo, Pavement, Captain Beefheart, and the Jon Spencer Blues Explosion.

In the beginning, because of the Pavement thing, we were able to sell a certain amount of records. We were able to sell not such a great amount of records, but enough to live on. So there was no incentive to do what didn't come naturally.

It's funny because from the time I was a kid, I knew what I was going to do. What's even funnier is that my dad and my grandfather didn't want me to work at the pawn shop, but I was deadset on it.

I didn't want to write for pay. I wanted to be paid for what I write.

I would pay to do what I do if I had to.

When I was around 13 years old, I started playing in bands and became obsessed with Blink-182 and Newfound Glory. I didn't pay attention to country music anymore; I wanted to do more pop rock stuff.

Having that music around us all the time, it was so inspiring. But at the same time, I was a kid. I didn't pay attention to any of it. I'd get on the drums and hit them a few times, and then go outside and play.