Quotes About Communication

One writes with one's desire, and I am not through desiring.

El texto que usted escribe debe demostrarme que me desea. Esa prueba existe: es la escritura. La escritura es esto: la ciencia de los gozos del lenguaje, su kamasutra (de esta ciencia no hay más que un tratado: la escritura misma).

The writer is the prey of an inner god who speaks at all times, without bothering, tyrant that he is, with the holidays of his medium. Writers are on holiday, but their Muse is awake, and gives birth non-stop.

Love's atopia, characteristic which causes it to escape all dissertations, would be that *ultimately* it is possible to talk about love only *according to a strict allocutive determination*; whether philosophical, gnomic, lyric, or novelistic, there is always, in the discourse upon love, a person whom one addresses, though this person may have shifted to the condition of a phantom or a creature still to come. No one wants to speak of love unless it is *for* someone.).

Roland Barthes

Language is a skin : I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.

If only we could put our minds in plaster casts like our legs! But I cannot keep from thinking from speaking; no director is there to interrupt the interior movie I keep making of myself, someone to shout *Cut!* Volubility is a specifically human misery; I am language mad; no one listens to me, no one looks at me, but...I go on talking

printed fashion functions, semiologically speaking, like a true mythology of clothing: it is even because the vestimentary signified is here objectified, thickened, that fashion is mythic. So it is this mythology of clothing (one could also say its utopia) that needs to be the first stage of a vestimentary linguistics.

Roland Barthes

è sterile ricondurre l'opera a qualcosa di puramente esplicito, perché allora non c'è, immediatamente, più nulla da dirne e perché la funzione dell'opera non può consistere nel chiudere le labbra di coloro che la leggono

Roland Barthes

12 de noviembre Hoy—día de mi cumpleaños—estoy enfermo y no puedo—no puedo ya decírselo a ella.

I want you to know that I don't want to show my feelings; that is the message I address to the other...I advance pointing to my mask.

I love you is in my head; but I imprison it behind my lips. I do not divulge. I say silently to who is no longer or is not yet the other: *I keep myself from loving you*

Wie ein schlechter Konzertsaal ist auch der affektive Raum mit toten Winkeln durchsetzt, in die der Klang nicht mehr hineinreicht. Ist der vollkommene Gesprächspartner, der Freund, also nicht der, der in ihrem Umkreis die größtmögliche Resonanz schafft? Laßt sich Freundschaft nicht als ein Raum totaler Klangfülle beschreiben?

Po mome ukusu, ništa nije indiskretnije od posmatranja nekog dok piše: još je indiskretnije videti nekog da ?ita jedva primetno mi?u?i usnama. Markizu de Sadu je nedostajao taj prizor (za njega isuviše blag): uhvatiti eksplozije na usnama onog koji poluglasno ?ita neki tekst u procesu artikulisanja. Ništa od te minule erotike više nije mogu?e: danas su pisanje i ?itanje skrovite prakse.

3 de abril de 1978 Desesperación: la palabra es demasiado teatral, forma parte del lenguaje. Una piedra.

Standards-based grading is grounded in several key principles: grades must accurately describe a student's progress and current level of achievement; habits of scholarship should be assessed and reported separately; grades are for communication, not motivation or punishment; grades must be specific enough in what they measure that it is clear what students need to work on to improve; and student engagement is key to the grading process.

The ability to deal with people is as purchasable a commodity as sugar or coffee," he once said, "and I pay more for that ability than for any other under the sun.

Another female observer found Madison entertaining in private but "mute, cold, and repulsive" in company.

Washington grew as a leader because he engaged in searching self- criticism. "I can bear to hear of imputed or real errors," he once wrote. "The man who wishes to stand well in the opinion of others must do this, because he is thereby enabled to correct his faults or remove prejudices which are imbibed against him."41 The one thing Washington could not abide was when people published criticisms of him without first giving him a chance to respond privately

because we don't have to talk. Often we sit fifteen minutes in silence before one of us breaks it!

There certainly are some drawbacks to belonging to a busy man no matter how fine he may be as I believe you have sometimes found out.48

It was the same act of ventriloquism: the State Department talked, and Tom Lamont moved his lips.