Quotes About Communication

I work with really cool people, and so far I haven't been approached in any embarrassing manner when it comes to image.

When you work with someone you don't quite know, you have to figure the director out and you can come up with ideas that are counter-productive.

Part of being a good chef is being able to work well with others and make things work under different circumstances.

I asked for nothing from Theresa [May]. She asked for nothing from me. That's not the way we work.

Showrunning is a thing where you have to work with tons of different people. You have to schmooze people, you have to talk to network people. I don't want to do any of that.

It's to a younger people's advantage to work with evolving computer technologies that provide so many ways to explore the use and distribution of text, including sound, images and motion.

Everyone has to learn to work with people - it's part of being an adult, too.

The fact that - I mean, these are things to be talked about. You can't do anything without educating the public, right? And that's a slow work.

I just was non-political and didn't see myself as a person who could push people around, make their decision, you know, and tell them how lousy their work was.

I think the best work flows out of a collaborative environment.

I wouldn't put myself in that bracket, but it's one of those things. I think what helps is that we [with Tom Hardey] don't socialize, we don't really know each other, we purely work together.

I think the feeling that we're going to work together again usually starts to come up before the first project's even done. The Black Keys and I have already talked about starting on something new.

Having a 9-to-5 workday in which work is left behind when one leaves the office is no longer the norm as employers expect employees to be available outside of work.

Your tendency to be inward-directed or outward-directed is huge; it governs every part of the way you live and work and love.

I'd have conversations with the camera crew about what was going on in the scene, so that they were prepared to shoot it. I love the fact that when you work, you create this tribe.

The most potent elements in a work of art are, often, its silences.

A work of art, so far as it is a work of art, cannot - whatever the artist's personal intention - advocate anything at all.

I have a tendency to make my partner my everything and that is unfair and it doesn't end up working out because you can't rely on that one person to fulfill all of your needs emotionally.

The internet has made it possible to meet more people, make more connections and do more interesting work than would ever have been possible . It enables serendipity at an entirely new scale.

When you work in film, you have to be pretty fluent in explaining your vision, especially when speaking to actors, and I found speaking to actors to be so challenging and intimidating on set.

In my work, I construct texts and images. Between those two points the blur occurs. Each is altered by the other again and again, back and forth.

I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.

If the media spotlight affects my work or represses what I want to say in the future, then it is bad.

It is hard for me to speak of themes. I like the reader to do that. Otherwise it feels like writing a 3rd grade essay on someone else's work.