Quotes About Communication

I felt voiceless for so long, I wasn't ever able to say what I felt out loud. I didn't know how to say it. Posting online presented itself as a comfortable medium. I could say what I wanted to say in a way I still felt comfortable. Whenever, however I wanted to.

I assume the body language no matter what in doing voiceover. There is a transformative aspect.

I love doing voiceover work.

When I speak a serious subject in an informal and humorous way, it has bigger impact. So much so, when BBC made a small documentary, they first thought of having a voiceover for me. The producer liked my English so much, he said they were retaining my original voice.

I love voiceover work.

The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.

I found in making and directing films that the less you have voiceover, the better it is.

I love doing voiceover.

As voiceover artistes, we don't transcribe; we translate. One has to communicate what the character is feeling, and introduce humour where needed with a regional flavour that the audience can relate to.

The ear of the leader must ring with the voices of the people.

The loudest voices we hear are those who advocate conflict, divisiveness.

Yes, living voices in a living language, so it seemed to us.

Twitter has now just become a bunch of angry voices. That for me, I had to detach from there.

Manspread, mansplaining, manterrupting - all of it, whether conscious or not, diminishes women's voices, minds, and bodies.

I think anyone who has an opinion, and voices it, will offend someone.

You have to look also to the media, where you have a vast majority of the loudest and most influential political voices in America media from people who came from the entertainment world.

Men scream, that's why they gave us voices.

I think it's important for scientists to speak in their own voices and not just be mediated by journalists or others speaking for them.

I'm well in touch with my family, my children. I keep them on my answer phone, so if I want to hear one of their voices, all I have to do is punch it up and it will be there.

We have for too long been taught that the sight of a man speaking to himself is a sign of eccentricity or madness; we are no longer at all habituated to our own voices, except in conversation or from within the safety of a shouting crowd.

I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?

No one is helped when cultural critics use their voices irresponsibly.

As ballerinas, we don't use our voices. Our voice is the body and the movement quality.

Whether you have a small team or a large team, you'll always have a percentage of people telling you to do the opposite of what you think you should be doing. Then you'll have a percentage of people telling you to do the opposite of what they're saying. It's a constant sea of doubtful voices. You have to navigate through that.