Quotes About Language

To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.

A country can be judged by the quality of its proverbs

Words that do not create images should be discarded. Words that have no intrinsic emotional or visual content ought to be avoided. Words that are directed to the sterile intellectual head-place should be abandoned. Use simple words, words that create pictures and action and that generate feeling.

Feelings have their own special names. The more names you know, the more you can understand your feelings and tell other people about them. And the more you can stick up for yourself. Names are like handles for our feelings. Knowing

Murder is a crime. Describing murder is not. Sex is not a crime. Describing sex is.

Poetry consists in a rhyming dictionary and things seen.

Nothing could bother me more than the way a thing goes dead once it has been said.

it is nice that nobody writes as they talk and that the printed language is different from the spoken otherwise you could not lose yourself in books and of course you do you completely do.

Why should a sequence of words be anything but a pleasure?

Lest we forget that Shakespeare spelled his surname in five different ways. None of them was S H A K E S P E A R E.

Should we reclaim an Indigenous language in a natural Indigenous setting, to replicate the original ambience of heritage, culture, laws, and lores? • Should we reclaim an Indigenous language in a modern building that has Indigenous characteristics such as Aboriginal colours and shapes? • Should we reclaim an Aboriginal language in a western governmental building—to give an empowering signal that the tribe has full support of contemporary mainstream society?

Everything that is ended, everything that is last, naturally awakens in man a feeling of sorrow and melancholy. At the same time, it excites a pleasurable feeling, pleasurable in that very sorrow, and that is because of the infiniteness of the idea that is contained in the words ended, last, etc. ( Thus by their nature such words are, and always will be, poetic, however ordinary and common they are, in whatever language and style.)

preliterate authors, such as Homer, who cannot be grammatically constrained,

one's own past self (our/his childhood) and of bringing to light the relics of the childhood of humankind itself (Z 4302). Far from wanting to recirculate dead and devitalized forms—either in language or in existence—Leopardi uses the metaphor of fresh fruit preserved in winter,

The most sublime labour of poetry is to give sense and passion to insensate things; and it is characteristic of children to take inanimate things in their hands and talk to them in play as if they were living persons... This philological-philosophical axiom proves to us that in the world's childhood men were by nature sublime poets...

With the sole aim of liberating themselves from the servitude of religion, which alone could preserve them in society, and, lacking any other restraint, they turned their backs upon the true God of their fathers, Adam and Noah, and descended into a bestial liberty in which, dispersed throughout the great forest of the earth, they lost their language and weakened every social custom.

Homer, whose own language was certainly heroic, in five passages from his two poems [437] mentions a more ancient language and calls it "the language of the gods.

Nations that have their own religions and laws, cultivating the language appropriate to them, and which they defend with their own arms, such nations alone are properly free. But Providence ordains that when nations lack these things, rather than annihilate themselves in the rash of civil wars that breakout when peoples trample on their laws and religions, they proceed to submit themselves to preservation under other better nations.

Zanzotto ricorda che la nonna dialettofona, la nonna popolana recitava a lui piccolo versi familiari del Tasso, e quell'armonia del toscano illustre filtrava nella sua coscienza come "una vera e propria droga fonica, sopra il continuum un po' selvatico della parlata dialettale".

La poesia appare come il luogo della ricerca ideale delle "parole giuste". In realtà la poesia è proprio il luogo in cui vengono a mancare le parole. È proprio da qui, da questa insufficienza, da questa mancanza - di bellezza, di giustizia, di felicità, di coraggio e chissà di che altro - da questa miseria delle parole nel tempo della nostra vita, che inizia il movimento della poesia.

el «prefijo fantástico» no es más que un caso particular del «binomio fantástico», en que los dos componentes son el prefijo escogido para originar nuevas palabras y la palabra primitiva escogida para ser promocionada gracias a la deformación.

Zarathustra: Do you have words? Do your words belong to you? Giannina: No, my answer is no. I have no property in the dictionary. Words are anonymous like the disenfranchised masses that haven't been weighed - or named - or framed. My words belong to those who don't belong.

Le nostre parole sono spesso prive di significato. Ciò accade perché le abbiamo consumate, estenuate, svuotate con un uso eccessivo e soprattutto inconsapevole. Le abbiamo rese bozzoli vuoti. Per raccontare, dobbiamo rigenerare le nostre parole. Dobbiamo restituire loro senso, consistenza, colore, suono, odore. E per fare questo dobbiamo farle a pezzi e poi ricostruirle.

Chiunque detenga il potere può controllare anche il linguaggio, e non solo con le proibizioni della censura, ma cambiando il significato delle parole".