Quotes About Cameras

My story with film is kind of different because I started with photography because my father was a photo buff. He had all sort of cameras, and I grew up with that.

You know, it's nice on a sitcom to have an audience there, but there's still a wall of cameras between you and them.

I can't specify this enough: when cameras go on, everybody wanna be big and tough. You're not like that in real life.

With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.

Our enemy of international terrorism respects no laws of warfare or morality, and its individual members take innocent lives, just to create chaos for news cameras.

My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.

On 'The City,' I allowed the cameras more into my life and I ended up exactly where I was meant to be.

Sometimes the character will go into a completely different direction than I expected once the cameras start rolling. That's what I love about what I do.

I wasn't interested in having to live with a camera - I have a hard enough time getting along with myself. I don't need cameras around and all that action.

I've worked on a set before, know something about cameras, and done some editing.

Politicians don't say no to cameras very often.

I didn't know how interested I was in performing until I did 'Darkplace.' I hadn't done anything really up until that point. I didn't mind the cameras, and I didn't know that I would enjoy it.

I'm in front of cameras a lot; I'm used to it.

I think when the cameras are on him is when Coach Switzer is at his best.

The TV work is so dynamic. You are in front of the cameras, but you are also educating people and genuinely really excited about showing off your products.

I want to be behind the scenes, and learn more. What cameras to use, what lenses to use, what shots I want to get. And it takes time, so being on movies and sets, I just learn.

It's definitely more nerve-wracking being in front of the cameras, although I'm trying to get better at it.

You get used to cameras being with you 24/7, but you have to be prepared for people to have an opinion.

If I put cameras on you every day, you're gonna be emotional and nothing will be perfect. You have to allow people to be people.

I was always passionate about cricket but to talk about the game in front of cameras was another thing.

It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.

It's impossible to make dancing really effective on TV. The screen is too small, and the cameras can't move fast enough to get the right angles.

I wanted to be an entertainer; I wanted to be on the big screen. I loved the cameras and the lights.

So now what happens is the cameras follow me around and capture exactly what I've been doing since I was a boy. Only now we have a team of, you know, like 73 of us, and it's gone beyond that.