Quotes About Dramatic

melodramatic.

Me das risa, pobre. Tus determinaciones trágicas, esa manera de andar golpeando las puertas como una actriz de tournées de provincia, uno se pregunta si realmente crees en tus amenazas, tus chantajes repugnantes, tus inagotables escenas patéticas untadas de lágrimas y adjetivos y recuentos.

You have to take the whole story." Rabi insisted. "That is what novels are about. There is a dramatic moment and the history of the man; what made him act, what he did and what sort of person he was. That is what you are really doing here- you are writing a man's life.

Israel has its attractions. It's the most dramatic country in the world. Everybody's engaged. Everybody argues. When I leave Israel, I get a little bit bored, you know?

I was a big shot in high school - big into social events and at the dramatic society - and I always had trouble in school. Not because I was a dummy, but I was always busy being the Jackson Heights clown.

I would definitely say the last episode is as epic as probably any episode that 'Once Upon a Time' has ever done. I mean, it's massive; it's huge. It's like taking the best of all seasons and jamming it into one - literally.

It's actually a rather romantic and dramatic story --- one I would eagerly tell you, except for the fact that I recently forgot it, based on it being far too long and having not enough decapitations.

The theater-goer in conventional dramatic theater says: Yes, I've felt that way, too. That's the way I am. That's life. That's the way it will always be. The suffering of this or that person grips me because there is no escape for him.

Sometimes when you belt, it kinda makes the song more dramatic than it really needs to be. There are certain songs that you hear, and you're like, 'Wow, he's singing about his girlfriend, but he sounds kinda mad the way he's yelling, 'You're so pretty!''

I will say that 'Riverdale,' yes, is a little more sensationalized. It's based on comics, and it is a little bit more dramatic and a little bit more made for TV, made for teens. For '13 Reasons,' we tried hard to make it as real as we could, as close to reality as possible. No corners were cut; everything was very raw and very real.

You can't just sort of come with, say, 'Yesterday,' or 'A Hard Day's Night,' and it be in the wrong place in the wrong show, and expect the song to work theatrically.

In song the same rule applies as in dramatic verse: the meaning must yield itself, or yield itself sufficiently to arouse the attention and interest, in real time.

West Yorkshire is quite dramatic and beautiful, the crags and things.

I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.

Many people think making a film about history... about war... about the Holocaust, it might be heavy, dramatic and traumatic. I don't see things like that... you can find irony everywhere. It's how I look at life.

I think trials are inherently dramatic and interesting and are always going to be part of the news.

Life is full of trials and tribulations. It's dramatic when you don't treat people right when you're in the tribulations, but I know now how to get out of it. You have to make a decision to say 'No more', and then you know what to do when the trials happen.

Too many poets are insufficiently interested in story. Their poems could be improved if they gave in more to the strictures of fiction: the establishment of a clear dramatic situation, and a greater awareness that first-person narrators are also characters and must be treated as such by their authors. The true lyric poet, of course, is exempt from this. But many poets wrongly think they are lyric poets.

With 'Greek Gods,' I wanted to go with the blue and green hues of sky and water; with 'Heroes,' I felt the color needed to be more dramatic and give a sense of battle, rage, and yes, of blood. That's the world these demigods lived in, and I felt that orange and red would also compliment the greenish blue of the 'Gods' cover.

I've done a fair bit of work in the dramatic space researching extremism and how it operates and it gets inside your head and how people get radicalized by it. It's a very slippery slope.

I never really thought about myself being in really big movies at all. In fact, I always though I'd do, I don't know, smaller movies is not quite the right word, but more character-oriented, dramatic things. I took myself a little bit seriously.

What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.

Though television is a smaller medium than the stage, you can't be afraid to be big.

I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun.