Quotes About Dramatic

The truth is really funny. It's uncomfortable sometimes, it's dramatic sometimes, but it's really funny. Life is funny.

My dad was obviously a really quirky, unconventional Asian man who didn't care about what other people thought. When he would fight with my mom, he would be really dramatic. He would be like, 'Devil, get away, for I am God's property.' He would say crazy things that were so melodramatic but so theatrical and funny.

I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion.

I have spoken to Donald Trump about this. He understands the dramatic budget cuts our military has faced.

Now and again, an actor will blow my mind by doing something really unexpected, like Mickey Rourke or Christopher Walken - you have absolutely no idea what they're going to do, which is really thrilling to watch.

A reveal should be unexpected and clever.

Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?

There is a certain poetic value, and that a genuine one, in this sense of having missed the full meaning of things. There is beauty, not only in wisdom, but in this dazed and dramatic ignorance.

I've got a soft spot for Theatr Colwyn because my granddad used to run the Colwyn amateur dramatic society in the 1930s.

Countries that have the Internet already are not going to turn it off. And so the power of freedom, the power of ideas will spread, and it will change those societies in very dramatic ways.

In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.

I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.

I would always fall down the big main staircase in our house. My favorite thing in the world was to pretend to be horribly killed at the top of it, and to fall dramatically down to the bottom of it.

I try to approach all episodic work the same. No matter the content. I look for a dramatic or emotional spine to the story I'm telling, something that stands out to me thematically about the episode and its relationship to the rest of the season/series.

Insincerity in a man's own heart must make all his enjoyments, all that concerns him, unreal; so that his whole life must seem like a merely dramatic representation.

When you act dramatically in that way it often has a consequence that is very negative.

He doesn't like to be hit. Not that anybody likes to be hit, but Brock for whatever reason has shown much more of a dramatic response to the negativity of those shots. To the point where he's not asleep, it isn't like he got knocked out, he's not getting dropped, but he just turns his face away from adversity.

Gray is great. People think gray is a neutral, but I think it's such a moody, intense, dramatic and sexy color. It's very sleek.

We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.

There is tons of work to be done, and lots of people who would like to do the work. It's just that the economic system is such a grotesque catastrophe that it can't even put together idle hands and needed work, which would be satisfying to the people and which would be beneficial to all of us. That's just the mark of a failed system. The most dramatic mark of it.

She stared at him. You'd be willing to change your life so dramatically? Ray and Stella Quinn changed my life.

Use attribution to control the delivery of dialogue, creating the sort of dramatic pause an actor would insert. Otherwise, the reader will race through a line without realizing how it ought to be weighted.

She's being such an overreaction.

Having to say 'so and so can't be with us tonight, but I would like to accept this murder charge on his behalf' would have been rather anticlimactic.