Quotes About Sound

Sound is the first thing that we tune into.

A record can make an artist sound in tune or make the music sound pretty. But the real test is performing live, and I think we pass fairly well, because people keep asking to see us play.

Being out of tune sucks.

I can hold a tune but it's a bit ropey.

The bottom string is tuned to an open G.

You can buy $20,000 speakers, but put them in a room that's not right, and it sounds terrible. If you buy $20 speakers and put them in a room that's tuned right, it'll sound great.

I think Thurston's and my weird tunings lent Sonic Youth a very different sound from the get-go. In the band's 30 years - aside from covers - there are maybe two or three songs we wrote using traditional tuning.

Chromamatic' is actually about changing the strings on my guitar and tuning my guitar.

I based my tuning on Gene Krupa, Buddy and Joe Morello. I knew how I wanted the drums to sound and we did the best we could with a beat up Ludwig kit. I spent a lot of time around drummers learning how to get sound. I knew the sound I was after and what would work for what we were playing.

She had a penetrating sort of laugh. Rather like a train going into a tunnel.

I don't know rap. I can't tell you a Tupac song. But you put on some go-go, and I'll know it word-for-word. That's why I feel like I got my own sound - or a D.C. sound.

What I do for migraines when I get them, I listen to classical music, and I turn it up really loud.

It takes only one bad amp to turn your ears to oatmeal: That's how old hippies became Yanni fans.

When I went on to the team on 'Korero Mai,' I realized how much I didn't know and how much I wanted to know in terms of sound, lighting and editing which is a process you don't go through in fast turnaround TV.

The best sounds a kid will get is in a movie theater, with huge speakers, turned up loud. I always mix my music really loud. I don't care if you don't hear all the dialogue. The audience are not idiots.

The soprano turned out to sound to me like the right hand on the piano.

I loved music, and in my ninth year at MIT, I decided to buy a hi-fi set. I figured that all I needed to do was look at the specifications. So I bought what looked like the best one, turned it on, and turned it off in five minutes, the sound was so poor.

For me, riding a two-wheeler bike was very risky. Counting the pedal strokes before turning a corner and learning to hear the sounds coming from buildings, grass and the climbing frame made all the difference to basic survival and ensured that I didn't end up head-first in the sandpit.

The Marshall guitar amplifier doesn't just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.

I would always have turntable elements in my records even if it was just one scratch.

The beauty of the Stir It Up lies in its ecological balance. We're bringing high quality, earth-friendly materials together with innovative design. The result is powerful sound and a stylish look for the new turntable.

I grew up on radio, not TV.

I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.

I always feel that I have missed some good fortune if I am away from home when my bees swarm. What a delightful summer sound it is! How they come pouring out of the hive, twenty or thirty thousand bees, each striving to get out first!