Quotes About Sound

Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective.

I've talked about that with friends, about what genre makes sense to choose for each record and the strategy around that... Sometimes it's more about the moment of time, and other times it's more about the sound of the song. Sometimes it's about what's going on in larger life, in politics.

Technology was changing just as we were getting started. You had these records by people like David Bowie and Talking Heads and Brian Eno that took production into a whole new direction. That really influenced us, and pushed us to find that early sound we had.

Tame Impala and I love the psychedelia. To me, it sounds like Blind Faith and old bands from back in the freak days. It just hit a nerve to me. I was just really feeling that sound.

I wanted to make something that, from the sound of it, could be down at the club. I just realised that I'd never heard Tame Impala played somewhere with a dance floor or where people were dancing.

Tame Impala is kind of psych-pop.

We can't be tamed at all. We've never been that kind of group. We always used to talk about how our image was as big as our sound.

A record is kind of a piece of art itself, and it's such a tangible experience playing an LP end to end.

There's something magical about the sound of breaking glass. Especially around a mob. It works both for humans and Hellions. If you want to start a riot, throw a bottle.

There's something magical about the sound of breaking glass. Especially around a mob. It works for both humans and Hellions. If you want to start a riot, throw a bottle.

A child at risk made trust a luxury, each day uncertain, the mere sound of a telephone ringing a reason to flinch.

there is more mercy in Christ than sin in us, there can be no danger in thorough dealing. It is better to go bruised to heaven than sound to hell.

Pain makes a noise.

The sound of sporadic gunfire echoing through the narrow streets of Dublin sounded to ten-year-old Patrick Murphy like the rolling thunder from a summer storm brewing somewhere in the distance. Patrick peered around

Do you know anything about silent films?" "Sure," I said. "The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn't until the 1920s that sound became truly incorporated into films, eventually making silent ones obsolete in cinema.

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I HAS A PET BEE THAT MAKES ROCK AND ROLL MUSIK WHEN IT FLIES.

Ughhhhhhhh!' he said. 'Arghhhhhhhh! Ouchhhhhhhh!

when you hear the bullet before you hear the gun, you are on the wrong end of the firing.

Susan laughed. I always loved the sound of her laughter. And to have caused it was worth the west side of heaven.

All at once she could hear the sullen patter of the rain and sense the sigh of the wind behind it.

Can you talk?" "Absolutely. What did you find out?" "I'm going to put you on speaker. Terry's here." The sound qual ity went from crisp to hollow when she put him on speaker. "Hey

Harvey didn't set his phone to beep or buzz or vibrate like a normal person. Harvey's phone screeched with a string piece from the Hitchcock movie Psycho, the scene with Janet Leigh in the shower, the knife rising and falling, the string section shrieking with short, staccato stabs, the lone violin slashing through the fermata with discordant glissandos, more violins joining the first, violas adding their teeth, mad strings schooling like orchestral sharks at a blood-drunk feast.

Peabody believed that in the long run, American investments meant sound investments.