Quotes About Sound

In 'Finding Nemo,' all of the voices were recorded separate - so I would be in a sound booth in a studio by myself reading the lines with just the director. Basically, you can just come in, and it doesn't matter what you are wearing or what you look like; it is all about how your voice sounds.

The sound of the Seekers, that four-part harmony sound, three boys and a girl, is so unlikely, you would not choose those four voices to blend together.

We've recorded over our voices once and double the harmonies, make them thick. The Four Freshmen do that.

It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in.

I detest heavy perfume and shrill voices.

I get off on hearing other people's voices. I like voices: they're my favourite things on records.

Radio voices have a solid, even texture.

I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.

Horns always influenced me more than voices.

In fact, I had to make an enormous adjustment to this, not only in listening to it but in playing with it. It's a full sound. In some instances, you must have the volume to get the effect.

The only technical things I know are treble, volume and reverb, that's all.

When I slept it was literally in the midst of an arsenal. If I heard dogs bark more fiercely than usual, or the feet of horses in a greater volume of sound than usual, I stood to arms.

These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.

I have an amp that doesn't have a master volume. It sounds awesome, but we just can't get an appropriate decibel level out of it.

With a huge storm, you need a lot of volume, but it can't become one loud noise. Dolby Atmos helped a lot because it gave us the separation of those elements.

I hate listening to things quietly. If I'm going to listen to something and fully enjoy it, I want the volume all the way up. That, for me, is a good immersive experience.

In my honest opinion, in 'Volumes I' and 'II,' we were still trying to figure out our sound.

I voted yes for ANWR, and I would support those in other places, environmentally sound.

I love the folk-rock of the Seventies and the pop of the Eighties.

I have really severe tinnitus.

Microphones are just like people, if you shout at them, they get scared.

I think that Bach has a very nice sound on the lute. But I find that what I want to do with Bach is best revealed on the guitar.

I agree with the rest of the band, that a truly synthesized sound isn't really what I would want to go for.

Whatever was banging, I would listen to it.