Quotes About Album

The number of times that anything is overdubbed on 'Frampton Comes Alive!'... the rule was, if it didn't make it to the tape, then we can redo it because it needs to be done. If it made it to the tape, and it sounds good, we leave it. So nothing was overdubbed on that album at all that wasn't absolutely necessary.

The Sicilian Defense album was never released and never will be if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.

I put out tapes, but I always kept saying, 'Why am I putting all this energy into these tapes?' I was like, 'I'd rather make just an album because I have a vision; I know how I want to do my records.' I always felt like an artist as well.

It's called 'The Outlaw Album,' not 'The Ozarks Album.' These are stories that delve into different kinds of outlawry, from criminal acts to interior, or psychological, outlawry. The book is not meant to be a tapestry of the Ozarks.

'Tapestry' was the first album my mom ever bought with her own money when she was 14. So, needless to say, it was a staple in the household, at least when my mom was choosing the music.

Since her landmark 'Tapestry,' Carole King has both oversimplified and over elaborated that masterful album's style until her music has become something more overtly but less effectively personal.

I'm ruthlessly picky when it comes to the crafting of an album, the choosing of musicians, the right mikes, the right studios. There was a time when it was, 'whatever you want.' Then, as you learn a little bit more about your tastes, I don't give in to that kind of thing.

I didn't start writing songs, honestly, until I started making my album. I was always doing poetry, but I never thought I could write songs. I discouraged myself and thought it was so hard. But starting this process and learning just what it is to be a songwriter and performer taught me that you don't have to feel discouraged about anything.

We're gonna release a studio album probably a year from now and we've got these recordings that we did with Coco Taylor and Johnny Johnson, who was Chuck Berry's piano player.

five). The Esher demos are a real treasure trove; they mined it for years. Songs that got worried to death on the album are played with a fresh one-take campfire feel, just acoustic guitars and handclaps

THE WHITE ALBUM IS THE BROKEN ALBUM, THE DOUBLE-VINYL mess, a build-your-own-Beatles kit forcing you to edit the album yourself. They even made the audience come up with the title. (Nobody has ever called it The Beatles.) In the predigital days, everybody made their own cassette for actual listening, with each fan taping a different playlist.

But things started to wobble around the time R.E.M. put out a truly wretched album called Document, the one that made her reconsider whether she could continue to worship Michael Stipe. I blamed R.E.M. for not saving us by making a better record. That, I realize now, was unfair.

Liege and Lief, the

It was a magical time,' confirms Hutchings. 'And there's a lot of magic on that album. There was a special feeling in the house, in the room, and also a lot of hidden magic and weirdness on that album. Well, the past is weird, you know, our ancestors did a lot of weird things.

The problem with Double Fantasy was the arrangement whereby they alternated John Lennon tracks with Yoko Ono tracks. You couldn't escape Yoko for more than four minutes at a time.

I try to make an album that reflects what I love about country music. It's not just all about happy parties all the time. There are some sad songs.

I have been metal all my life, only I did not know about it. The people in this album (Charlemagne) and I, share the same values.

You know what, if Rick Rubin would produce another Geto Boys album I'd do it.

It's easy to mock a man who has founded a religion based on John Coltrane, who considers 'A Love Supreme,' whatever its merits as a jazz album, to be holy scripture.

I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.

On my first album, I felt like, if it was going to be turned into a movie, it would have been directed by Sofia Coppola. She creates this kind of pastel-colored palette that's very whimsical but also very stagnant. And that's really how I heard the record.

I think sometime during the peak of 'Whiskey Glasses' is when I realized: 'Man, this is really starting to happen. People are not not just singing these singles, they're singing every song on my album and really invested in what I'm doing.'

I got to see Jack White. I love his new album. There's a song on the album called 'I Think I Should Go to Sleep' that my son loves. We play it on a loop around the house, and he just bounces around.

I love the 'Black Album' because I think it was the beginning of something, primarily. I'd met Metallica, and I'd heard Metallica before that, but when I heard the 'Black Album,' I actually had a response rather like I did with 'Sgt. Pepper.'