Quotes About Album

I'd be lying if I said I didn't want to do a big radio country album.

Any time that you can give the consumer more of what they want, it's a good thing. I said from Day 1 that the unbundling of the album is a good thing.

I would like to release an album that I truly believe in, thus it is hard to put a time limit on it. I want to really go deeper and discover myself again through music.

dozing into her book, so I went into her room and pulled open the bottom drawer where she kept the old family album. Lots of pictures of Mom and me in there, because Dad was

When Patrick finally broke his silence with 2008's 'Anthems For the Damned' - the first Filter album that he recorded sober - fans were decidedly lukewarm.

There have been many socially conscious concept albums. I wanted to make a 'social consciousness' concept album disguised as a country record.

I have songs - even from my first album, I've always been on some socially conscience/love whatever music, you know?

My biggest frustration is the lack of scale in the music industry. The fact that no one has sold 100 million copies of an album is frustrating.

When I got to the second album, there was an expectation, because we'd sold nearly seven million albums on the first record, that this would do eight or nine.

I didn't have huge expectations for 'Frampton Comes Alive!' My previous album, 'Frampton,' had sold about 300,000 copies - a decent amount but not mind-blowing. There was talk at the label that maybe the live record could go gold. I was hoping we could do it, but I wasn't sure.

Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.

We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'

We had sold a lot of copies of the 'Miami' album without being racked by some of the big distributors.

The reception on 'P2' has been crazy. Every show on the tour has been sold-out. I didn't think people were gonna catch on to it that quick because I started the tour the same day it came out.

'Call Me' is not an exceptional Al Green album, but it is as solid as a rock at its center.

I think all the bad blood started when Geffen released a greatest hits package of my solo stuff.

Anyone who likes Static-X will definitely like my solo record.

I've wanted to do a solo album since 2000 when I was writing songs for the 'Machine' record.

The best slide solo I ever played was on... what's her name? That girl singer who used to be with that all-girl band? ... Belinda Carlisle of the Go-Go's! That's who it was. I played on one of her albums.

'Fragile,' of course, was a very successful album for us, especially here in the States. It had a lot of solo pieces on it, though.

I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.

I was still in school after I dropped my first solo album.

I didn't make a solo album until the year 2000.

When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.