Quotes About Album

Álbum para «fluir»: «Gran Hotel Buenos Aires», de Federico Aubele.

Álbum para «fluir»: «Luciano Essential Mix» (2009, Ibiza) interpretado por DeadMau5.

Álbum para «activarse»: «Cold Day Memory», de Sevendust.

I made a record album in 1960 and it exploded, and I got all these offers for TV.

How I started my musical career, officially, was really, like, my family and I deciding to put out, you know, the 'Closer' album that started really small, you know, with a vision that we'd make it pass there.

One thing that was frustrating to us, always, was having to do so much press building up an album, and you're asked so many questions about, you know, is it more melodic, is it heavier, are you doing your old stuff, is it new?

I hate it when bands do that; they're so proud of their new album, they have to play all of it and a couple of golden oldies.

Depending on which day, and how I am feeling on that day, I have a different favorite song on the album. One day it might be 'Karma', and other days it is 'Stay For A While'

There are a lot of names on the credits of 'The Glow Pt. 2,' but most of those people are just on one half of one song or something.

We did an album one time called White Mansions, about the civil war, but it was written by a guy from England. His looking at it from over there and it not being a part of his history made it so he could be objective.

I love to sing, but I really only love to do it when it goes along with acting, when it's my character singing. I'd rather not do an album or tour.

I'm not 'Grace.' That album is like a brick onto itself. It's like a coffin that I put certain feelings and observations in so that they can be capsulized forever. I wanted to put them there so I would be free to move on.

If you think that there are actually covers that we haven't done on 'Glee' that I could then put on an album... We've done everything! Pretty soon we're just going to have to start doing opera and stuff on the show.

In my opinion, an album has a story from start to finish and has a concrete concept.

All I can tell you is, all of the good product you got from E-40 with all the good product you got from Too $hort - it's almost impossible for us to make a terrible album together. We're both opinionated, so I damn sure am not co-signing a song that I think is wack.

A Love Supreme' is Coltrane's best-known and best-selling album.

The last blue collar job I had, I was 29. Even 'Childish Prodigy,' I had a day job that whole time. Those early ones, they feel like psychedelic, blue collar records. Especially 'God Is Saying This to You,' there's such urgency in that album.

My first album, 'Englaborn,' was based on music originally written for the theatre. My solo albums, like 'IBM 1401, a User's Manual' and 'Fordlandia,' have also had narratives attached to them.

I had an album out at exactly the same time as 'Love to Love You' called 'Einzelganger,' and it's great, all electronic. I'm using a vocoder, doing all this cut-up stuff on there, but no one knows about it.

After using four different languages on an album, it's tough to decide which one I'm gonna actually learn to speak. I always study the lyric, make sure I know what I'm singing, and try to get the pronunciation as perfect as possible.

While we were touring for 'Vacation,' we weren't aware that the record wasn't doing well. It was a good tour, but the album didn't go over with critics.

Moving from a first to a second album is an incredibly transitional time for any band because you never get to make one in a vacuum like you did with your debut.

When sequencing an album, you kind of have to look at it like you're making a movie with different acts, and you have ebb and flow, peaks and valleys. You want it to feel like a journey or a good movie or book where you can actually feel very satisfied at the ride at the end of it.

NINETEEN SEVENTY-EIGHT WAS the year of Some Girls, which I thought was the best Stones album since Let It Bleed in 1969.