Quotes About Death

We go to partake of death. And it is in these moments, before the blades are unsheated, before blood wets the ground and screams fill the air, that the futility descends upon us all. Without our armor, we would all weep.

Do you truly believe suicide belongs solely to the one taking his or her own life? All that rot about selfishness and self-hatred? The lies we tell ourselves to absolve us of all blame, of all the roles that we played in that wretched death?

The past is a demon that not even death can shake.

Death and dying makes us into children once again, in truth, one last time, there in our final wailing cries. More than one philosopher has claimed that we ever remain children, far beneath the indurated layers that make up the armour of adulthood. Armour encumbers, restricts the body and soul within it. But it also protects. Blows are blunted. Feelings lose their edge, leaving us to suffer naught but a plague of bruises, and, after a time, bruises fade.

The dead are ever refashioned, for they have no defence against those who would use or abuse them – who they were, what their deeds meant.

A chill crept over Duiker. Even wheeled hospitals carried with them that pervasive atmosphere of fear, the sounds of defiance and the silence of surrender. Mortality's many comforting layers had been stripped away, revealing wracked bones, a sudden comprehension of death that throbbed like an exposed nerve.

Only two kinds of people die in battle, Fiddler had once said, fools and the unlucky.

Then we're dead all that much sooner. So it goes.

My arms wrapped about little Jala, little sister, hot with fever but the fire grew too hot, and so, in my arms, her flesh cooled to dawn-stone, mother keening—Jala was the ember now lifeless, and from that day, in mother's eyes, I became naught but its bed of ash.

It's all right, Beak, to die alongside your comrades. It's all right. Do you understand me?' 'Yes sir, I do. It is all right, because they're my friends.' 'That's right, Beak.' And that's why no-one needs to worry, Captain.

By the Lady's never-sucked teats!" "Elas Sil!" "Oh shut up! I'm a woman, I can curse about things like that. Wait, it's not as dark up ahead. Come on, and hasn't that baby of yours been asleep a long time? You sure it's not dead?" "Wel, it peed on me halfway down that last corridor, and last I looked it was smiling." "Huh. It ever amazes me women get talked into motherhood.

I would say, most of the time, yes. Fear that our opinions might be challenged. Fear that our way of seeing things might be called ignorant, self-serving, or indeed evil. Fear for our persons. Fear for our future, our fate. Our moment of death. Fear of failing in all that we set out to achieve. Fear of being forgotten.

If we are to live,' Rake went on, 'we must take risks. Else our lives become deaths in all but name. There is no struggle too vast, no odds too overwhelming, for even should we fail – should we fall – we will know that we have lived.' Endest

To mourn is to feel a flower's slow death, hill bear. To bed a man is to recall the flower's bright glory.

There is, all about us, ancient knowledge - that cannot be denied. Yet Kruppe wonders, are there memories? True memories? Of enlivened flesh and the wind's caress, of the laughter of children? Memories of love? When frozen between life and death, in the glacial in-between, what can exist of mortal feeling? Not even an echo. Only memories of ice, of ice and no more than that.

They died, Highness, even as they delivered those thirty thousand refugees to safety. They died, but they won.

Trull Sengar kills, and kills, and then, when it is done and he kneels in the blood of the kin he has slain, he weeps.

They each mourn alone, even when in the same place. Grief is the most solitary of all feelings. Grief isolates, and every ritual, every gesture, every embrace, is a hopeless effort to break through that isolation. None of it works. The forms crumble and dissolve. To face death is to stand alone.

I see now that the unnamed soldier is a gift. The named soldier—dead, melted wax—demands a response among the living…a response no one can make. Names are no comfort, they're a call to answer the unanswerable. Why did she die, not him? Why do the survivors remain anonymous—as if cursed—while the dead are revered? Why do we cling to what we lose while we ignore what we still hold?

He had once believed that all of existence was under the benign control of a caring omnipotence, after all. And crickets exist to sing us to sleep, too. There was no telling what other foolishness might have crept into his young, naive brain all those millennia ago. No longer, of course. Things end. Species die out. Faith in anything else was a conceit, the product of unchained ego, the curse of supreme self-importance.

The body will totter past the dead husk of its soul, sometimes for days, sometimes for years.

The blood in the fine, white sand was only a few hours old, still gummy to the touch. The stench of loosened bowels soured the hazy air.

I, Borduke of the 6th squad in the 9th Company of the 8th Legion, swear on the downy belly of the Queen of Dreams that the creature before me is a natural, unaltered Birdshit scorpion, and may my father's ghost remain in its tomb, since the inheritance was mine to lose anyway, right? Dead means you don't care any more, right? It had better, because if it doesn't, then I'm doomed to paternal haunting for the rest of my days.

Old men and the dead stood at the same wall, and while the dead faced it, old men held their backs to it. Beyond that wall was oblivion. They spoke from the end times, and both knew a need to lead the young onto identical paths, if only to give meaning to all they had known and all they had done.